The life is not a lonely one. There are many who understand.

I'm inside myself.

Life fulfilled its mission. I showed my strength. He had changed his appearance and was satisfied with the desires of those who had taken him into his midst.

But the journey of life is not over. Instead, it's just the beginning.

I want to let more people and hearts go through. I want to do what more people want. It is sure to be happier for more and happier for me as well. I believe that's what life is and I don't doubt it.

The thing to shake is a gun. The score for the Good Moon is - only the whip is showing at the moment. between those who fight at a distance together.

As for shaking, I want to unilaterally shoot a gun while keeping it out of reach of the whip, but it doesn't work that way either.

Mutsuki always takes her to a place where her whip can reach her, waving her whip in an anomalous motion.

A shake that continues to deflect the attack of the Moon. Immediately after the battle began, the shake had been pushed to the side of the battle.

It's a shake being pushed into battle prevention, but I can still afford that look. I'm asking for an opportunity.

On the other hand, Mutsuki is impressed to see the wasteless movement of the shake and the way the feint is applied.

(Aha, this kid has good taste inside. Original talent is precious inside. I can see the workouts are well loaded as well. But......)

Leech whip roars. Regardless of the shake that I read Feint in a few seconds of comma, I aim for the Good Moon.

(The accumulated experience, I was better off)

The whip of the good moon, thought to be a feint, struck from the front, shaking straight from the shoulder to the chest. Even a mere whip is a painful beating that rips meat, but the leech whip adds even more power by weight. It's like being struck with a weapon mixed with a blunt weapon and a blade, and with that feeling, the shake falls on its back.

(No... what's that now...)

Mutsuki felt uncomfortable responding.

Shaking was pulling his body just before he ate the whip blow. Though I was beaten with a whip, the image is suppressed as soon as I pulled myself back.

Shoot the gun while still dressed falling on your back. Shake.

In an unexpected counterattack, Mutsuki becomes aware that he has caught his guard. The bullet pierces the chest of the Moon.

The shake wakes you up quickly. Something like the damage isn't light or serious. There is pain, but no obstruction to movement.

The sway surprised me as the Moon of Rapprochement had waved the whip even more. Even if it didn't penetrate the bullet-proof fiber, Mutsuki attacked it with absolutely no intention, even though the impact of the bullet seemed a little flickering.

The whip is wielded horizontally and vertically, continuously. Even more diagonally, he sees the whip swing, and the shake creates an image of him shooting right after he squirts, transmitting that image to his body. By doing so, we can move quickly.

A whip blow from the diagonal top. Pull the gun up at the same time as you pull it aside. The image of the aim is also pre-applied, so shoot at about the same time as the setup. Between dodging and shooting, not a second. He is shooting at the same time as he scratched.

When it came to not being able to do this from the beginning, it was a difficult place inside. At least with the skill of shaking, you can't move this far unless it's read properly to the opponent's movements.

The shaking bullet was piercing the throat of the good moon.

It is a shake convinced of victory, but at the next moment, it will strip your eyes.

The gunshot wound to his throat immediately blocked him, and Mutsuki flatly swayed his whip.

(Playable? I should have used a meat solution inlet warhead for Battle Creature)

Shaking regrets it as I whip the good moon.

Fu, the shake felt signs behind his back. At the same time, my body was moving.

Signs of something coming from behind. I felt it on my skin just with the shaking of the air without pursuing it with my gaze. It was crossing the space where the shake was right after the shake jumped to the side.

(Spider?)

A shake that sees a spider the size of a toddler, with legs made of blades.

Mutsuki wields a whip, aiming immediately after the spider attacks. He was struck by a whip in the hanging, shaking to fall again.

Now I've got a good blow. I can't move because of the shock caused by the pain.

"Aha, that's my win. I'm telling you, this spider's like a part of me, so don't be timid, huh?

A good moon to put the spider over the shaking body and declare victory. I don't seem to be willing to hold back, but if I made a bad move, the spider blade would immediately cause a fatal injury to me, and Shake understood and accepted defeat.

Every now and then the subspace is opened and the gun is fired upon while the monster carries out an unusual attack by Black Sickle.

The gun is fixed within the sleeve of the right hand, and when waving the sickle, the gun immediately pulls into the sleeve to hold the sickle with both hands, and when shooting the gun, it does the switchwork of holding the sickle only in the left hand and shooting the gun with one hand.

Lily avoids it without difficulty, even though she skilfully manipulates the two gains: the gun and the sickle, and even uses a classic subspace tunnel during the shooting.

(Quite a skill. Despite all this unorthodox serial attacks, it's all being squeezed at your leisure)

Xu was amazed at the speed of the lily and the graceful and light motion without waste. I already feel the difference in strength between my enemies and myself on my skin. At least as far as body surgery is concerned, he said lilies are much higher. But don't be timid, keep up the trick.

Suddenly, something like white smoke erupted from Lily's body. It broke into the tunnel from the exit of the subspace tunnel to the right hand side of the gun.

Flying in a hurry. When I look at it, my smoked hands are solidified like white wax.

(I won't move, and I lost my senses. If you bathe this in your head or torso, you're out.)

Quickly apply miso to your right hand.

"Ugh, I used to do that a lot. I'm glad it didn't end well."

Where the white smoke cleared, Lily grins gracefully with her hands on her mouth.

(While I can afford it, I'll fold it up all at once)

When the white smoke blocked his vision, he was sneaking around and ready.

"Oh? I don't know, this"

That's when Lily noticed. There are countless brown solidifications floating near the ceiling.

(Did they notice? I snuck up on you with a good blind spot)

Considering that the unintentional strike by Miso witchcraft had failed, he decided to exercise his technique.

"Miso, Meteo!

The countless mistletoes that float in the universe, along with the sound of a shout, fly in a group of meteors together with a lily.

(What is this...)

Lily bouncing loudly in the rear and swinging. A miso falling on the floor crumbles and splashes. I don't know exactly what will happen if I hit it, but I don't even want to try it.

In anticipation of the timing when the lily jumped, the lion waves the black sickle on the spot to the horizontal giraffe.

The door of the subspace tunnel opens in front of the lily and behind the lily, and the tip of the shaken sickle leads through the tunnel and appears behind the lily.

That's about as good a prospect as it sounds.

Lily was also wary that this was going to happen. He wasn't alerted because he attacked using subspace tunnels from the beginning. If it's over-life in the first place, for the most part, we can make cross-space attacks, we know how to prevent them, and we're always on guard.

Though it was a lily trying to form a force field due to mindfulness and stop the sickle blade attacking from behind, it was losing more fundamentals.

The sickle, which swung across the space, became a black liquid and splashed, spinning from the side of the lily to the front.

(Alama)

Immediately after learning confusion and awkwardness about what he was doing, he returns from a splash of oily, drizzling liquid in front of Lily's eyes to a hard black blade.

As the black liquid returned to the blade, the sickle blade splendidly doubled the body of the lily and caught on an invisible force field created behind the lily as the sickle pattern was pulled by its own body.

That was an instant event. If you look only at the movement of the sickle, within less than a second, if you think you have swung the sickle to the side, it is just an immediate action pulled.

Seeing Lily fall on the floor with her torso cut into two pieces, sprinkled with blood and built-in pieces, Mutsuki, just following the battle with Shake, turned his eyes round.

"I'll do it."

While I remember my earliest anger at my breadth, on the contrary, I honestly have a sentiment of praise for it, and Lily whines with a smile.

Shortly after the lily squeaks, the punctured guts and blood return to the body at a rate that is as if it were also seen in the rewind footage. Both broken bodies stick together perfectly as well.

Seeing a slowly rising lily, the sickle remains standing.

"I will not die to this extent, because I am also one of those who has a past life."

It is a twitching lily, but it has not grown much longer in terms of regenerative capacity, and it has not even been able to hide it.

(The regeneration itself doesn't work as quickly or as beautifully as I do, doesn't mean it's draining heavily)

Mutsuki takes an alternating glance at Lily's face and feet, judging. Not all the blood returned, and there was quite a bit of blood left on the floor. You don't look very pale afterwards. From the eyes of the Good Moon, although slight, I did hear the colour of fatigue on Lily's face. Probably because I did the current regeneration.

Mutsuki settled on his battle with Shake, but he does not imitate the battle between Lily and Shake with water, and takes the structure of static observation. I didn't even think I'd get a hand wound instead of losing Lily, but I saw an unexpected blow put in, and later decided to teach Akiko this.

"That you are very versatile. I also want to see how you're going to entertain me next, but I didn't think you were going to hit me. That's all we can do for you."

When Lily declares, she slowly protrudes her hands forward. With his hands above him, it was reflected in the eyes of the good moon and the good moon as if he were going to snare, or else he was about to receive something from someone.

"Easy to understand. You're just bubbling in one shot at someone who looked down on you as being able to take you down even if you can afford it. Or are you pretty?

It is provocative in the mouth, but as the lily was upset, it was not even visible from the eyes of the lily. I took good damage, but I still don't think I can afford enough.

Countless translucent faces erupted from both palms of the lily. They are all uptight in anger and resentment. It is a good number of grudges.

A group of condensed resentful spirits is released into a giant stream. If eaten, it is possessed at the same time by a multitude of resentful spirits, instantly ecstatic. The speed is not beyond the reach of the eye, but above all its width is plenty more than ten meters. They didn't think it was very cute.

If a spirit-serving magician sees this sight, most magicians would simply cease to be complacent about the number of spirits. With how much power, it will be to feel the difference between how much resentment can be used at the same time and the power to despair. Exercising such a powerful technique.

(It's no use trying to escape into subspace. I'll chase you right into the subspace.)

Lily was treading that it was the only way to escape. And in an attempt to escape by opening the subspace tunnel, Lily intends to force the doors of the subspace open and put a grievance group inside the escaped subspace.

With the overwhelming power of being a Necromancer, an extremely simple, repression by the quantity of grudges. It is an extremely powerful attack in the art of Lily. It wasn't much of a lily's preferred way of fighting, but I definitely took the choice to stay put. Lily's favorite method of fighting is melee combat, as is Junko.

But he didn't try to escape with subspace travel.

"I can do anything with miso!

Suddenly an unintelligible scream came out of his mouth, and Lily and Yuzuki were taken aback.