When talking about segmented markets, talking about the existence of a corresponding market consumption space, and talking about people who can rationally choose film products that suit them for consumption, do you know that emotions are absolutely forbidden by the country.

You just have demand, there is room for consumption, and no matter how rational, but what the country firmly does not allow, you want to create a classification, then segment the market, and then let the unallowed things like se sentiment appear grandiose. Do you really want to confront the government?

This Nima, in the domestic atmosphere, ordinary audiences are unwilling to be good.

What does movie rating mean?

As long as you are not stupid, it does not mean that the masses can choose their own movie tastes more accurately, but it means that R-rated films and san-rated films are expressly allowed to be filmed and disseminated, and the national authority is their platform.

You can go home and ask your parents, do they support R-rated films and san-rated films appearing in the market in a high-sounding manner? Their attitude is imaginable.

This is why film classification cannot be implemented in China, and why China's literature and art policies have always been conservative.You can blame policy makers and executors, but can you blame your parents?

Obviously not, and then reverse it, your parents do not allow it, do not support it, what is wrong with the country's prohibition.

In particular, it is ridiculous to say that the content of se sentiment is only one of the factors that affect the classification of a film. Isn't the person who said this unclear that se sentiment is the most stringent aspect of domestic censorship besides politics?

What do you see in domestically released films that allow you to dew points for more than two or three seconds, and even if you are lucky, you haven't been cut off.

Some people say that people who do not approve of film classification are conservative, saying that these people are afraid that once they are classified, everyone will make san-level films, and all audiences will watch san-level films, and then there are only san-level films in the cinema. This is pure nonsense. , Who would worry about these?

Do these need to be worried?Not required.

The purpose of film grading is to "allow the right people to have access to the right content", and the Chinese government's attitude to the elements of se sentiment, violence, and blood, especially se sentiment, is not “to keep young people out of contact” but "Totally ban and keep everyone out of contact", this is not just movies, but also television, newspapers and magazines, any cultural aspects, but the whole country's recognition of this point.Therefore, no one is worried about how many people will see the san level, but this is not allowed and illegal.Even if there is only one person in the country to see it, it is not allowed.

Therefore, if you can't relax this point, all movie ratings are nonsense.

Some people say that you can't use cultural background as an excuse for film grading, but it's not because this is a fact.

In fact, this is like you crackling and beating your own child in the country, no one cares, and it is impossible to call the police even in the public.However, in Europe and the United States, people will call the police, and then the police will arrest people.

It’s also like, in American movies, children are absolutely not allowed to take guns, let alone shots. Even animals are strictly protected. If you kill a dog in the movie, the entire American society can be shaken by this dog. .

But in the country, these are considered assholes.Not only the country, but we ourselves don't think this is a matter.After 80s and 90s, who has never seen Xiaobing Zhang Ga, fantasizing that he is shooting a little devil with a gun like a Gazi. In so many movies a year, there are not dozens of hundreds of children who participated in the devil and war. .

Eating dog meat and killing chickens in movies and television, so there are even killing crocodiles, who has seen these things.

This is the different cultural background, system, and national conditions.

What we are accustomed to, may be earth-shattering events in foreign countries, and then what they are accustomed to may be earth-shattering events for us. How can this be compared.

Frozen is taking their beautiful father’s stuff to make irresponsible remarks about the domestic system,

Compared with the mainland, the environment in Hong Kong is much more relaxed. At least, no matter how seductive, violent, or bloody, there have been many films, even on a very large scale.

Among them, the Hong Kong Strange Cases series produced by Shaw Brothers back then can be said to be a big fusion of love, violence, blood, and terror, and the quality of the integration is still very high.

In the early years of Hong Kong, there were many horrific murder cases that attracted public attention. "Hong Kong's Bizarre Case II: Murder" adapted four stories from real people: "Ghost Boy", "Big Sister", and "Crimson Murder Case". With the sensational "carton corpse".

The director is Gui Zhihong. He once shot a film that caused Hui Tianci to break his spine and was almost disabled and unable to film.

There are also "Skynet" and "Dead in the Kitchen" filmed by Cheng Xiaodong's dad, Cheng Gang, which are also very high-quality films in this series, which have sold well at the box office and made Shaw a lot of money.

In 1977, Hong Kong’s entertainment industry broke out a scandal that shocked Hong Kong and even Southeast Asia. Many porn stars were summoned by the police for allegedly selling chun. The “Silver Chicken Case” became a sensation in Hong Kong’s hot news. Shaw was moved by the news and immediately decided to take it. One subject was put on the screen. In order to ensure the quality of the film, Shaw used the director Cheng Gang.

However, in Qiao Feng's view, Hong Kong's most violent and most challenging director of human tolerance is Mou Dunfu.

The director reiterated that when he was filming "Snake" in 1980, he needed the "human snakes" in the film to be naked, but because he couldn't find so many "professionals" for a time, he found a group of real snakes to film the movie. Not only did they ask people and snakes to show off at three points, they even asked them to return to the scene to film the smuggling scene. As a result, even though the group of real snakes knew they were acting, they were still frightened. It is said that some women and snakes were also scared for fear of being caught by real police during filming Got to cry!

But then he almost met a real policeman.

When "Snake" was filming the scene of the police arresting people and snakes on the beach, Mou Dunfu cheered and started filming without saying hello, which made the surroundings noisy and disturbed the real police patrolling nearby, thinking that there was another illegal immigrant entering the country. Those who wanted to help "catch people" almost swam and escaped because they saw the real policeman..Therefore, because of Mou Dunfu's "lawlessness", it is almost a dead end!

"Snake" was indeed hysterical, and Mou Dunfu made up a violent gimmick and tortured the gang of people and snakes to a terrible, inhumane situation!

The various abuse scenes in the film are absolutely astounding, qiangjian, lunjian, forced to watch reproduction*, even chickens, a man with a snake tied up by a big flower and dragged to the "snake head" room and raped is absolutely perverted!

In addition to insults, Mou Dunfu also made a big shot of "selling piglets", making a group of women snakes stand naked in a row for human traffickers to "inspect the goods". There were even scenes of pot-bellied female snakes and human traffickers being "big belly". It's an insult to humanity!Of course, the most cruel and unkind scene is the scene where the snake is "washed" by the attacker, and the trampling on the dignity of the snake is even more heinous!

Mou Dunfu completely abandoned human morality when filming "Snake", and shamelessly took advantage of the violence scenes of se sentiment, which made "Snake" a perverted work of "Beastly Outbreak"!

It is precisely because there are many such films that the Hong Kong film market needs a classification system, and with a strict censorship system like the mainland film market, it is absolutely impossible for such films to be released intact and uncut. Why do you need any film classification? .

There is no need for a grading system for mainland films in terms of political or practical needs, but for Hong Kong’s film grading, Qiao Feng recognizes that such a system is indeed needed, and then it is like a silent lamb and a film capable of breaking the limit. Take it out and shoot.

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