Riyu's Back File 2011

The film master Akira Kurosawa once said that when he started preparing a movie, he always had many ideas in his mind and convinced himself that they would be what I wanted to shoot.

One of these thoughts will suddenly emerge and begin to take root; he will grasp it and cultivate it.

He never considered the topic given to Kurosawa by the producer and the film company. His films were derived from something he wanted to express in a certain period of time.

In his view, the root of a film project is this kind of inner need to express something.It is the script that can nourish this root and make it grow into a big tree, and it depends on the director to make this big tree blossom and bear fruit.

The role of the director includes directing actors, photography, recording, art direction, music, editing, as well as dubbing and mixing.Although these things can be regarded as independent work, they cannot be viewed separately. They should be counted under the director together.

A film director must be able to let a large number of people follow him and work side by side with him.As Kurosawa often said, although he is certainly not a military strategist, if you compare the crew with the military, the script is equivalent to military chess, and the director is the frontline commander.

From the start to the end, no one knows what will happen.The director must be able to deal with any situation. He must have leadership skills so that the entire crew can act according to his decisions.

Although the sequence of shots in the movie is predetermined, shooting in this order is not necessarily the most interesting.Some things that were not foreseen in advance can have unexpected effects.If these effects can be incorporated into the film without affecting the internal balance, the whole will become much more interesting.

It's like burning a crock in a kiln.During the burning process, ashes and other particles will fall on the molten glaze, resulting in an unpredictable but beautiful effect.Similar unpredictable but interesting effects can be produced when making movies, so they are usually called "kiln reactions".

A good director can make a good book into a masterpiece; a mediocre director with the same book can make a decent film.But even a good director can't make a good movie when it comes to bad books.

Just like the famous director Guo Shi Zhang, because he does not have the talent for script creation, the quality of his works is often closely related to the script. With excellent scripts, his works often become classics. The script is sparse, so the film master Bad movies will also be shot. Although there are still rich color expressions in bad movies, people don't care whether the shit is golden or blue. Even if it is a rainbow color, it will still make the audience resent it.

In those expressions that are truly cinematic, both the camera and the microphone must be able to stand the test of water and fire.Only in this way can a real movie be made.The script must be able to do this.

If the structure of a script is good, it is like a symphony, with three or four movements and different speeds.Or you can use the three-part structure of Noh: Preface, Break, and Disease.If you can study and study Noh with your heart and soul and learn something good from it, it will naturally be reflected in your film.

RB's Noh is a truly unique art form in the world. Kabuki is imitating it, but it's just a flower that can't grow new seeds.However, as far as the script is concerned, the symphonic structure is most easily understood by today's audiences.

If you want to write a script, you must first study great novels and plays, and you must think about why they are great.Where do all the feelings you have when you read them come from?In order to show those roles and events, how enthusiastic and careful is the author's input?

You have to look carefully until you see that you understand all these things.You have to watch great movies, you have to read great scripts, and study the movie theories of those great directors.If you want to be a film director, you have to be proficient in screenwriting.

This is also a big reason why Miyazaki Sosuke chose to start as a writer and screenwriter. If a director does not have the ability to compile scripts, then he essentially lacks a core ability of directors. Although he can find supplements from other aspects, this kind of director Destined to not be able to fully control my own work, I often shoot things that I don't even know what I'm talking about. In the end, I can only stiff my neck and shout out "This audience is not good!".

I have forgotten who said this sentence: memory is creation.

A person's experience and the things he has read remain in his memory and become the basis for his creation of new things.There is no way for writers and literary and art workers to make things out of nothing.

For this reason, Miyazaki Cangsuke always likes to keep a notebook on hand when he reads books. This habit has been since he was a young man in his previous life.He will write down his reactions and the things that move him in particular, as well as his thoughts on the market, the things he encounters at work, etc. This is the experience of life.

In his previous life, Miyazaki Cangsuke had accumulated a stack of notebooks. Therefore, for him, the life experience that a director needs is not lacking. He just lacks the experience of becoming a director.

Since his rebirth, whenever Miyazaki Sosuke began to write scripts, he would read them in his memory.He can always find a breakthrough somewhere in them, even if it is a dialogue in his memory, he will find inspiration from these things.

So what I want to say is, don't lie in bed and read.

###Fifty-fourth chapter celebration meeting (recommendation ticket seeking collection) ###

Not long after moving out of Nozomi Sasaki's apartment, the two met again soon.The celebration party for the "Spark" crew was held in a restaurant in Shinagawa District. Everyone from the crew came here to celebrate the success of "Spark" as a late-night drama, which successfully countered the impressive ratings.

"Jie-chan, here." Miyazaki Sosuke just got out of the taxi when he saw Nozomi Sasaki saying hello at the door.Although Miyazaki's departure made her feel uncomfortable, it did not affect his still existing feelings for Miyazaki's.So when she heard that Miyazaki would attend the party today, she also waited at the door specially.

Because it was the weekend, Miyazaki Cangsuke did not ask the driver to work overtime, but chose to take a taxi to the party.

"Sasak, your improvement looks good." Miyazaki Aosuke just said. As soon as he walked to the door, Sasaki Nozomi stepped forward and continued to walk inward with his arm as before. He saw that Aosuke Miyazaki did not The meaning of refusal, but a burst of joy in my heart.

During this time, Sasaki Nozomi, in addition to Miyazaki Sosuke's somewhat free attitude, made her a little anxious, it can be said that she was refreshed and refreshed.The great success of "Spark" gave all the actors of the crew a great harvest.

Not only were the two newcomers successfully promoted to the rookie king by virtue of the "Spark" drama, Sasaki Nozomi's actor career returned to the right path, and went up several steps, completely from the shadow of the failure of the previous starring late night drama Li was officially freed.

Several major TV stations have recently sent her scripts for the winter file and the next spring file. It is the first time that there are so many TV series that want to invite her to appear. There are not only late-night dramas, but also some TV dramas that focus on prime time. There is even an invitation for filming, which can be described as a spring breeze.If it weren't for Miyazaki Sosuke's move to frustrate his feelings, Nozomi Sasaki would be living in a dream.

"It's all the blessing of Tosuke-chan." Nozomi Sasaki held Miyazaki's arm and acted like a baby in his arms. After moving away from Miyazaki Sosuke, she made up her mind and decided to launch an offensive from the beginning. Just like when he first entered the crew, he once again captured the hard bones of Miyazaki.Nozomi Sasaki understood very well that the current Miyazaki Cousuke is no longer the original Miyazaki Cousuke.

If it is said that falling in love and getting married with a screenwriter may frustrate Sasaki Nozomi's career as an artist, she may even be sued by advertisers for breach of contract.But if the target of the scandal was the current Miyazaki Sosuke, it would be completely different.To put it bluntly, as long as you can hold Miyazaki Cousuke firmly, it doesn't matter if Miyazaki Cousuke derails and is abandoned in the future.

After all, the marriage regulations in the RB Civil Law have a special preference for women. If a divorce is caused by the man’s affair after marriage, women will not only receive a lot of compensation, but also a larger share of the property distribution.

Many women in RB have no fixed jobs after they get married.When dividing property, regardless of whether the woman has a job or not, in principle, both men and women share half of the property.For real estate purchased after marriage, if both husband and wife work, unless there is a big wage gap between the husband and wife, they are generally divided equally.If the wife is a full-time housewife, the wife will get about 1/3.

Even the amendments introduced in 2007 and 2008 stipulate that if the wife is a full-time housewife, she can receive half of her husband's pension from the age of 65, which is a rigid requirement.If the wife is also working, the distribution of the pension should be decided through consultation between the husband and wife, and there is no hard and fast rule on the specific ratio.

In addition to the above provisions, if both spouses have children in the marriage and the woman is a dependent after the divorce, the man must also provide monthly support to the woman.This is a very probable event. After a divorce, RB men are often considered by the court to be unsuitable for raising children. Therefore, women are often the first choice of guardians, and it is difficult for men to compete with women for custody.For example, if a husband’s annual income is 5 million yen, this is a very common income for middle-aged men in Tokyo. The wife has no occupation and raises a 15-year-old child. The husband has to provide support for about 70,000 days a month. Yuan until the children join the work.

So we always say that RB women have low status and kneel down to serve the kawaii. However, the RB civil law gives full consideration to the special national conditions of women as housewives. It can be said that women are superior in property and legal status. Men, so in RB, mature divorce is very popular. When young, the husband earns money outside, and the wife does housework at home. The husband and wife do not meet each other. After retirement, the elderly husband regards the husband as a burden. As a result, almost no young man wants to get married. .

On the one hand, there is a problem of social climate. A group of married women and housewives are idle, deliberately provoking various disputes and making various remarks against their husbands, which has caused many people to be afraid of marriage.So now that RB young men are afraid to fall in love and get married, women are becoming more and more anxious. All kinds of "can you find a decent boyfriend before the age of 30" and "a wolf-like age, please come to some hardcover men. Under my old mother, the more the better."

This social phenomenon has gradually spread to the RB art circle. Female artists have also begun to worry about marrying after the new century. Many young artists in their 20s are worried about finding a suitable male partner to marry. , Not only some small artists, but also big actresses such as Yui Aragaki and Satomi Ishihara have repeatedly expressed words such as thinking about marriage when they were around twenty-five, but they often dragged them to thirty and failed to hold themselves. Marry out.

The reason is that the public opinion and atmosphere of the society have affected these female artists, making them anxious about getting married, and secondly, female artists are not very suitable marriage partners in the view of RB society.In addition to the explosions and more unexploded accompaniment and pillow business, the social status of artists has always been low is also a very important reason.

RB’s famous big-good artist and one of the big three comedians, saury once said on his show that RB artists in the past were a kind of cheap industry, and only those who could not survive would choose to enter this industry until the war Later, after decades of efforts by this group of older generations in the Showa era, this social impression was gradually reversed.Of course, an important reason that saury did not say is that artists can often earn income that is far from ordinary occupations. The economic basis determines social status. This is the reason why artists can become many RB young people in the new century.

Unfortunately, as the old saying goes, there is one person in the entertainment industry, and it is absolutely impossible to say how clean in private life, it just depends on whether it bursts out.Therefore, coupled with people’s discrimination against artists, few female artists can marry a suitable person after leaving the circle. If they don’t leave the circle and marry an "ordinary" member and return to the ordinary life, or they can only be in the circle. Seek inside to digest internally.

The highest-paid athletes and comedians in the RB entertainment circle have often become the mates of many female artists.So we will always see that many national female artists often marry an athlete or comedian we are not familiar with, even if the man is a few years old, it does not matter.

For example, Nozomi Sasaki married a 15-year-old comedy artist Watanabe Ken in another time and space. Yu Aoi and his 9-year-old Yamazato Ryota married quickly after more than a month. This is a normal phenomenon for RB female artists. .

Of course, this is basically incomprehensible in our world. It's like when Mr. Guo Degang was talking about cross talk on a variety show in January, "My peach blossom period is here, and it is rumored that Yang Mi respects me very much. If this rumor is true, it would be big news. I may be embarrassed to say this myself, maybe I will become Mrs. Yang.” It was revealed in April that the two were dating, and in June it was reported that the two were married. This is RB’s Female artist.

### Chapter 55 Attitude Change###

Count this story of beauty and beast carefully. It’s not too much. Yuki Himura and Aika Kanda, the combination of "banana man", (I think friends who are familiar with Nogizaka 46 should know this old man, he is The host of Nogizaka 46) and the couple Yoshio Kojima and Aiyu Komatsu, the combination of Hirohisa Ota and Chihiro Kondo, Tetsuo Sato and his wife Mansako, etc. But come.

For example, Ishihara Rimi was played by an ordinary-looking and not-so-famous little boss Maeda Yuji for several years. After using the woman’s fame, he always refused to admit it, which is simply not in China. It breaks through the imagination of the public.With no net worth of tens of billions, the Forbes list is not a regular visitor, dare to contact national actresses?Is your annual income higher than that of the other party?But it also shows that the social status of RB female artists is really not as high as we thought.

So for Nozomi Sasaki's psychology and actions, we look back, and naturally we can fully understand her idea of ​​grasping Miyazaki Sosuke.For Nozomi Sasaki, she is not worried about marrying, but how to choose a suitable marriage partner.

If she was previously attracted because Miyazaki Aosuke fits her aesthetics, then Miyazaki Aosuke has completely become her male god, with an appearance that can make her heartbeat, as well as extraordinary abilities and society. Status is simply the first choice for contemporary RB female artists to marry. Apart from being a little bit carefree, don't be critical.

"Our "Spark" is so successful, can I be unhappy?" Sasaki Nozomi said as he walked, and habitually used the side to kill to release the charm, but Miyazaki Aosuke smiled knowingly.Without saying much, he still has this immunity.

The two of them walked through the long aisle and walked on the peach-wood floor. The sound of the heels touching the floor echoed in the deep aisle, until the two walked out of the interior, and Nozomi Sasaki knocked twice. He said hello and opened the door.

"Welcome, welcome, Miyazaki-kun hasn't seen you in a long time." The director Satoru Nakajima, who sits in the main seat by the wall, has a loud and clear voice.He is probably in his forties, with a strong build and a bit of dignity, and he knows at a glance that he fits the identity of a director.The producer of the TV series did not show up because he was going to attend the RB TV conference. In the natural crew, he and the screenwriter Masahiro Yoshimoto had the highest status. Of course, there was also a special Miyazaki Sosuke.

Before he could finish his words, Huo Di, who was sitting on the side, stood up together. There was a slender man inside with a smile on his face and took a step forward, pulling away the chair next to Satoru Nakajima and placing it in Miyazaki Cang. Behind the introduction, Cang Miyazaki is welcome to step in.Nozomi Sasaki also took the position of the photographer and sat next to Aosuke Miyazaki.The photographer had to sit outside again.After Miyazaki Sosuke took his seat, the rest of the crew sat down.

"I haven't seen you in a few weeks. First, I celebrated Miyazaki-kun for winning the Akutagawa award, and also celebrated that you started your own company and became the chairman. I didn't expect to see Miyazaki-kun for a few weeks." After taking a seat, Saki Cangsuke took the wine bottle in front of him and poured a small glass for Miyazaki Cangsuke. He poured the wine while sighing. He was very polite. Instead, he didn't mention the purpose of the party, which was to celebrate the ratings of "Spark". A big success.

When he was in the crew before, although he was also polite to Miyazaki Sosuke, after all, Miyazaki Sosuke is a co-writer of TV series and has a background of high-level RB TV stations, but he does not pay too much attention to the other party. A newcomer who has been in the industry for decades, or a core director, still holds the air to Miyazaki Cangsuke, but some habits have been reduced. Even the title is directly called his real name, and occasionally the screenwriter is added. Just be polite, as it should be.

But by the time of this meeting, the status of the two people has been reversed. Miyazaki has become the winner of the Akutagawa Award. He has been promoted from a popular writer to a half-major writer, and his status has been further improved. It is not the reason why Nakajima Satoru's attitude is respectful, and the writer who won the Akutagawa award has not been seen before. It will happen every year, and Nakajima Satoru is not so prosperous.

More importantly, while Miyazaki Sosuke won the Akutagawa award some time ago, the media also exposed a large number of pages to the news that Miyazaki Sosuke has become the managing director of Goldman Sachs, and processed it in various tones. The unreliable news heard through the channels, compiling the legendary stories of brain supplements that occurred in it, what cross-Wall Street has won the favor of Goldman Sachs, and it has made tens of millions in three days, etc., has caused a heated discussion in the society.

It didn’t take long. Some time ago, after Goldman Sachs released the new list of global partners, Miyazaki Sosuke was naturally on the list, and then it was reported that Miyazaki himself founded Alpha Investment Company and became the chairman, even among the top two. There was a lot of excitement in Zhou Lichao, which perfectly took over the headlines of the Nomura Securities crisis in the financial sector, and allowed the media to have a very comfortable two months.