Riyu's Back File 2011

In the Ritz-Carlton Presidential Suite the next day, Miyazaki Sosuke was woken up early by the notification ringtone of his mobile phone. He stretched out his hand from the quilt with some irritation, took the phone by the pillow, and unlocked the screen cable. , Open your mailbox and browse.

After several weeks of gradual adaptation, Miyazaki Cangsuke has regained the working rhythm of his previous life in the investment bank, the habit of not turning off his mobile phone 24 hours a day, and checking his mailbox to process work emails anytime, anywhere.In the previous few months, he had been a little more comfortable in Nozomi Sasaki's apartment.Beauty Township, Hero Tomb.Men have always been arrogant, and once a beauty is short of breath.

But after moving out, living alone, he gradually focused his life on work. In addition to the initial establishment of Alpha Company, many work arrangements need to be handled by the head of him. Fortunately, he still has two capable persons. Assistants, James Madolin and Paulson are excellent employees. They are worthy of the options provided by Miyazaki Aosuke and millions of dollars in annual salary. They have helped Miyazaki Aosuke undertake a lot of management work, so he can have Sora participated in the preparation and filming of "Housekeeper Sanda".Of course, this is also the result of Miyazaki's knowledge of the abilities of these two men and deliberate decentralization.

The work of investment banks has always been known for being stressful and busy.Everyone smiled and said that working in an investment bank is one person doing three people's work, earning two people's salary.Although Alpha is not an investment bank, it is a PE investment company (equity investment company), but most of its employees are dug from related industries, and most of them have a history of working in investment banks. Therefore, the working environment of the entire company is more traditional Investment banking is inseparable.

The senior executives of companies like Miyazaki Aosuke, Paulson, and James are all ruthless people who have worked in investment banks for many years, and they also bring the extremely enthusiastic work momentum of investment banks. It is common to work 110 hours a week. They will severely reprimand the subordinate employees who complained about working too much overtime in the elevator, "Shut your mouth, what's the point of working for 90 hours!"

For example, Paulson, the old boss of Miyazaki Sosuke, would wake up at 4:30 in the morning every day if he was not on a business trip, and would then spend half an hour processing work emails as soon as possible.After that, I went to the gym to work out until six o'clock, then I washed and had breakfast, and then I went to the company to start work, which lasted until I returned home late at night.

Some people may ask, why don't investment banks recruit more people to share the workload of employees?The simple logic is that if employees double and salaries are cut in half, investment banks can no longer recruit suitable people.The budget cost that banks spend on recruiting new recruits is fixed each year, so if they recruit twice as many new recruits in previous years, the average salary of each person will be directly halved.

On the surface, it will not have a direct impact on the company, but in fact the halved salary will make investment banks no longer able to recruit graduates of the same quality.Instead of those with top academic qualifications and top internships who can get started in the company, they are relatively mediocre people; but Wall Street believes in elitism, and they want people who are both smart and ambitious.

Investment bank HRs are very clear: Most students who want to enter investment banking come for the high salaries in this industry. Even if they know that they will be exhausted in the first two years, they will still rush.

Compared to Paulson, the former head of the investment banking department of Merrill Lynch, where Sosuke Miyazaki worked, was a cruel person, not only cruel to himself, but even more cruel to employees.Not only will he not go home after two o’clock in the evening and the customer’s reception dinner, he will come to the office to see the working status of his subordinates, and if he sees no one, he will have a meeting the next day and curse. Is it suitable for Wall Street?" When recruiting and interviewing newcomers, he would directly put forward, "Is the work time of 120 hours per week, can you stick to it?"

Therefore, for Morgan Stanley, the most relaxed investment bank, Aosuke Miyazaki and others are envious of their leisure. On average, Morgan Stanley employees work five hours less than Goldman Sachs employees per week and seven less than Merrill Lynch. Hours, 16.5 hours less than the staff of Morris, the most demanding boutique investment bank.

So whenever Miyazaki couldn't support it, he would silently cheer himself up, look at Morris, there is something worse than himself, so he took another cup of caffeine, and continued to change the project plan in front of the computer. Books and PPT.

Therefore, Miyazaki Sosuke often received work emails from Paulson before dawn in the early morning. Therefore, the first thing to do in the morning was the habit of flipping through the mobile phone mailbox, which was formed under the influence of Paulson.

Miyazaki Aosuke turned on the screen of his mobile phone and looked at it. It was indeed an email from Paulson. He briefly reported the progress of some of the projects he was responsible for and asked Aosuke Miyazaki's advice on the follow-up of these projects.

Miyazaki Cangsuke got up from the quilt, leaned on the bedside to think for a moment, and began to slowly write his answer to the questions in Paulson’s email in the reply email. The Apple phone sent a slight voice in the dim room. White light was printed on Miyazaki's face.

Turkey itself does not recommend using a mobile phone to reply to work emails, because the format and fonts are difficult to handle and make the emails look less formal.A very important principle in corporate culture is that as long as it involves work, it must be formal. Financial companies and foreign companies stand out on this point.I remember that it was just an e-mail format at the beginning, and under the boss’s “information”, I changed it five times before passing the first draft. It was a lesson of blood and tears.

Of course, because Miyazaki Aosuke is now Paulson’s boss, he should pay attention to the format of the email changed to Paulson instead of Miyazaki Aosuke, otherwise he would put his notebook in front of the window at any time in his previous life, which is convenient for replying to emails. , It is also convenient for you to download attachments from emails to view work information, such as reports and statistics.

When Miyazaki Cangsuke finished processing the mail, the sky was already slightly lit, and he glanced at the time on the phone. It was almost six o'clock.I have been accustomed to receiving emails at five o'clock, and now I am half an hour late. I am not used to it.It seems that Paulson's mail was not delivered on time today, so Miyazaki Cousuke sneered.

Glancing at the scenery outside the window, the sky in the distance has been set off by the rising sun that is about to cross the horizon, emitting a reddish light, penetrating through the layers of the atmosphere, and looking orange.He was not sleepy anymore, and was about to get up to wash, when he heard a humming sound from the side.

Miyazaki Sosuke turned her head and looked over, Horikita Maki crawled over shirtless, rubbed the corners of her sleepy eyes, rubbed her head to the left and then, and found a comfortable leaning against Miyazaki's chest. , Closed his eyes and asked him, "What time is it?"

"Wake you up?" Miyazaki smirked and continued to lean on the head of the bed, letting Horikita Maki lie on her chest comfortably, his hands running along the gap in the duvet into the deep darkness He was busy, and it didn't take long for Maki Horikita's blushing face to slap him on the arm, and the "pop" sound was particularly crisp in the empty bedroom.

### 83rd Chapter Rich Second Generation Rescue Hollywood###

"If you want to sleep, you can sleep a little longer. It's still early, it's only six o'clock." Miyazaki Sosuke was interrupted by Maki Horikita's pounding, and he did not continue to act recklessly, let alone the next morning. The plan to exercise.

It took less than five hours to sleep until one or two in the middle of the night last night.Even after moving out of Nozomi Sasaki's house, he insisted on going to the gym for an hour every morning to exercise. Aosuke Miyazaki, who can be called a strong body, is a bit tired now.

"No, I just want to lean on like this." Maki Horikita's face was flushed by Miyazaki Sosuke's actions, and she was not sleepy at the moment.

Instead, he turned his body under the quilt, changed from leaning on Miyazaki Sosuke's body to lying on Miyazaki Sosuke's body, holding his hands unclearly and muttering like a baby, not letting Miyazaki Sosuke get up.

Ever since the heroic rescue of the United States happened last night, Maki Horikita’s reluctant attitude at the beginning seems to have undergone a great change. Miyazaki Sosuke not only felt her passion for herself from the car yesterday, it continued until Back to the hotel at night is a bit too much.This woman had this clinging state again this morning, which made him a little happy.

"Don't make trouble, I'll have to work on the crew later. Today's filming is very important. I will go to observe and learn." Miyazaki Aosuke stroked the back of Horikita Maki's head with his right hand, softly coaxing the boy next to him. woman.

Today, the crew of "Housekeeper Sanda" will shoot an important scene, which is the most important conflict scene in the script of the first episode.

Asuda Keichi, played by Hasegawa Hiroki, had a family dinner together in the evening, because the youngest daughter in the family was celebrating her birthday, so everyone asked her what she wanted.The youngest daughter said she wanted to see her mother, but because his mother was already dead, the head of the household played by Hasegawa Hiroki hired the servant Mita Toru played by Matsushima Nanako to come home.

As a result, on the birthday of the youngest daughter, the youngest daughter cried and became awkward because she could not see her mother.After taking the eldest daughter, she scolded that her mother is dead, and she won't see it tomorrow and next month and next year.Seeing that the mother’s relics are still there, it will cause the younger brother and sister to see things and think about people. So the eldest daughter ordered the Sanda lantern played by Matsushima Nanako to burn all her mother’s relics, and Sanda lantern also obeyed the order, including all her mother’s things including the Buddhist altar. They were thrown into the backyard and burned, and finally drew an angry punch from the elder son.

In the end, the story of the family hugging each other and crying, forgiving each other.But this scene is also the most conflicting place in the first episode, so Miyazaki Aosuke will definitely learn some useful things from director Ryuichi Inogu’s filming of this scene, such as the construction of conflict scenes and Mirror and so on.

"Did Miyazaki-san got tired of me just one night?" Maki Horikita pouted and stared at Miyazaki Sosuke with pitiful eyes. The tears flickered. I don't know how wronged she was. .

"Why can't you, a woman, show me acting like this on TV? Horikita? Huh?" Miyazaki Aosuke stretched out his right finger and lightly nodded Horikita Maki's forehead.

Miyazaki's complaints about her acting skills caused Horikita Maki to shyly let go of his arm, buried her head in the quilt, and avoided Miyazaki's pointing.

"What's wrong?" Miyazaki saw Maki Horikita get into the quilt like an ostrich to avoid her acting blows. He was about to get up and just opened the quilt and sat up.

After wearing the underwear, she felt Maki Horikita spread over her back like a koala, hooked his neck, and stretched her head over her shoulders, rubbing her face against her face.

"Saka-chan, you said, I have you tattooed on the body, how about this proposal?" Horikita Maki pulled Miyazaki Cousuke, and made Miyazaki Cousuke, who had just sat up, fell back on the quilt again. Leaning on him, with his feet still bent on the side of the bed, and then straddling him, looking at him condescendingly.

"What? Tattoo? Why do you want to get me tattooed? Where is the tattoo?" Miyazaki Cangsuke ignored Maki Horikita who was sitting on her body, but instead lay down on her shirt button and flung it casually. A few questions in the past fooled.

"The tattoo is here." Maki Horikita drew a circle on her waist with her index finger, pointed to this area and continued, "As for the tattoo, um, by the way, it's okay to get a tattoo of Jiechan's name. ?"

"Is it here?" Miyazaki Sosuke finished buttoning a few buttons on the top of his shirt, but Horikita Maki sat on the hem and the remaining ones, and Miyazaki couldn't reach it.So he smiled, stretched out his hand around Horikita Maki's waist, used her index finger to circle the place where she was pointing, and scratched it.

His waist was tickled, and Maki Horikita screamed and laughed while falling to the side, squeezing her body to reduce Miyazaki's attack range, but her body was full of loopholes, which had no effect at all.

Miyazaki Sosuke and Horikita Maki played around for a while. They were tired of sweat, so they went to the bathroom and started taking a bath.

Soon after, Miyazaki Sosuke took a Burberry black trench coat and went downstairs.Although it is autumn, the weather in Tokyo is still hot.Miyazaki Sosuke just prepared to put a piece of clothing in the car to prevent it from raining or too cold at night.

At 7:30 in the morning, Miyazaki Sosuke came to the studio.At this moment, it was half an hour before the beginning of the filming, and the staff were still rushing over from all sides one after another.But when Miyazaki Sosuke walked into the room, he saw Matsushima Nanako, the chief officer, had found a place to sit next to the performance area, and started to figure out the role with the script.He couldn't help but sigh for the dedication of the goddess of Japanese drama.

Afterwards, the director Ryuichi Zhugu and the staff of the crew came all the time, and when it was eight o'clock, the preparations for all departments were completed.Director Ryuichi Inogu announced the start of a day of filming. Miyazaki Aosuke also quietly moved from behind the crowd to the front of the monitor, continuing to steal the teacher.

Perhaps because the RB TV series was influenced by anime, "Housekeeper Sanda" also has an overly dramatic and anime-like performance.In particular, the heroine Mita Toru played by Matsushima Nanako and the sister-in-law Harano Rei of Hasegawa Hiroki in the play are the most typical.But the director Ryuichi Inogu did not suppress this kind of performance, but greatly encouraged them to perform in this direction to increase the expressive power of the character.It is worth mentioning that Harano Rei’s Japanese pronunciation is "Ulala", so Miyazaki Aosuke can't bear to look directly at the performance of "Ulala" Ulala.

This is something Miyazaki resists. In his previous life, he was used to the delicate performances of actors in various movies shot all over the world. He did not appreciate the somewhat exaggerated performance style in Japanese TV dramas and Korean exaggerations. The performance is the same, I can't bear to look directly.

But if you don't see the past, you have to keep watching. After all, he is just a rookie director. He can learn a lot of on-site scheduling knowledge from Ryuichi Inogu, which is something he can't learn from books.

The director who has not been to the studio for a while and has withstood the test of various on-site issues can only produce "Dream of the Performing Arts".Speaking of this, Turkey suddenly realized that Director Bi's background seemed to be similar to Miyazaki Cangsuke's, all with the great dream of saving the entertainment industry from the rich second generation, and decided to start filming.

Bi Dao's father is the president of China's largest investment bank CICC and the co-founder of CICC. His father-in-law is the managing director (MD) of CICC.

Compared to Miyazaki Sosuke's status as a partner of Goldman Sachs, Bi Dao's background is probably a little higher.It is a sad story that Director Bi can only go home and inherit tens of millions of fortunes if he doesn't work hard.

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As early as when Miyazaki was discussing the plot with the screenwriter Yukawa Kazuhiko, he asked Yukawa Kazuhiko about the performance style. The screenwriter also simply told him the reason.

In the golden age of Japanese dramas in the last century, due to the existence of many pure love dramas and dramas, the performances of the actors in the RB TV dramas at that time were still normal.

However, with the advent of the new century, the major RB TV stations have gradually fallen into the era of script shortage, so many comics and animations have been adapted and turned into real people. As a result, the exaggerated performance of the two-dimensional characters has officially affected the Japanese drama circle.

In addition, most of the actors in these comics are young newcomers, and they don't have much acting skills.As mentioned in the previous article, RB does not have a formal film and television art college to train actors, but rely on the prosperous stage market to support film and television crews to select actors.

But most of the newcomers who participated in the comic works are newcomers from major firms. At most, they have participated in some acting training courses, so there is too much experience in stage play.Therefore, newcomers can use the exaggerated performance style of comic works to conceal their lack of acting skills.

In addition, the main force of watching RB TV series is housewives. They don't care about acting or not. Mother fans are like domestic fans, just look at their faces.

So with the development of the times, Japanese dramas are increasingly filled with various exaggerated acting skills. This is not only the influence of the market and the evolution of the times on Japanese dramas, but also the result of the decline in the quality of RB TV dramas year by year.