Riyu's Back File 2011

But this is just the development trend of TV series in line with the national conditions of RB, and does not mean that it is a road we have never imagined.

With the rise of online streaming media, streamers headed by Netflix have aggressively entered the content production market. In the new era, a number of new high-quality works have gradually appeared in Japanese dramas, and their acting skills have gradually become normal.

Thinking of this, Miyazaki Cangsuke became more convinced of his identity as the savior of the RB film and television industry. How could he think of such an important thing as investing in Netflix.Not because I am the savior, this is the revelation of the world.(Big mistake)

Apart from himself, who else can save the declining RB film and television drama market?So he decided to kowtow to himself in front of the mirror every day starting from tomorrow.

The previous ones are all joking. Thinking of this, Miyazaki Cangsuke is going to continue discussing with director Ryuichi Inogu about why a shot just taken is so arranged.Before he even remembered to ask questions, he felt that someone was pulling his clothes gently, so he looked back and found that it was the screenwriter Yukawa Kazuhiko.

Yukawa Kazuhiko pointed mysteriously to the corner to the side and motioned Miyazaki Aosuke to go with him.Without thinking, Miyazaki Aosuke put down his hands on his chest and followed the screenwriter Yukawa Kazuhiko to the corner of the set.

"Would you like one? Oh, I'm sorry, I forgot." Yukawa Kazuhiko took out the cigarette case from his trouser pocket, and was about to share it with Miyazaki Aosuke. He immediately patted his head and put the cigarette case again in annoyance. Tucked it into your trouser pocket, forgetting that the filming location of the crew is forbidden to smoke to prevent fires.If you want to smoke, you can go to the smoking room in the adjacent building.

"What can You Chuan-sang ask me for?" Seeing Yu Chuan-sang's chagrin, Miyazaki Cangsuke understands the troubles of smokers about not smoking.In his previous life, Miyazaki Sosuke used to smoke, not only cigarettes but even cigars.

The heavy work pressure on Wall Street makes the social animals there often use cigarettes, alcohol and women to stimulate their nerves to prevent their mental breakdown due to endless overtime. Many people even take drugs, including many executives. Taking drugs in the office to keep one's spirits in a state of excitement.

So a hundred of Wall Street's social animals may be wronged by catching all of them, but catching half of them will definitely miss a lot.This is not just what Wall Street’s financial social animals will do, Washington’s public relations industry social animals, consulting industry social animals, and everything on the surface, in fact, relying on one person to do the work of three people, open two This phenomenon is pervasive in industries where the wages attract high-quality livestock.

And Miyazaki Sosuke also used drugs in his previous life, but he was not taking drugs, but Amoda, a drug developed by a pharmaceutical company for US military pilots to prevent him from sleeping.Similar drugs include Modafinil, Ritalin and so on.

Drugs like Modafinil, Ritalin, and Armodafinil were developed as early as the last century, and were originally developed to treat patients with ADHD or for US military pilots.

U.S. pilots will last for more than ten hours each cruise, so they need a drug to keep them from being overworked and falling asleep during the cruise, or driving fatigue and losing concentration, so Modafinil Novartis Pharmaceuticals, which was commissioned by the US military, developed it, and is also nicknamed "Eternal Night God", "Sleepless Medicine" and so on.Armodafinil is an upgraded version of Modafinil, which is more effective.

This class of drugs has been verified to be able to effectively improve people’s attention, improve the wakefulness of the drug users and reduce sleep during the effect of the drug. Therefore, after continuous development, it is finally widely popular in campuses all over the world and various industries where overtime is serious. in.

In his previous life, Miyazaki Sosuke was mysteriously stuffed in a box by his roommate in the university, and found that after taking a single medicine, he could study efficiently for ten hours without wanting to sleep, although he would sleep for a long time afterwards. But it can still help prepare for the final exam.So since then, I often go to pharmacies to buy them to deal with the heavy studies in the university.

Later, after going to Wall Street, under the huge work pressure, he formed a habit of taking drugs every day to maintain vigorous energy and long-term sobriety.But because of his rising status in this life, he no longer has to deliberately take such drugs to work endlessly.

After all, as long as it is a drug, there will definitely be side effects, just the size of the effect.The side effects of his consumption of Armodafinil are stomach irritation, frequent diarrhea, and loss of appetite, which also caused him to suffer from long-term anorexia in his previous life.

In this life, Miyazaki Sosuke has achieved success without taking drugs. If he wants to take drugs, he may be prepared to use Viagra to prevent overdraft.A man, no matter how good his kidneys are, he can't stand up to so many hardships. There are three main characters in this less than a hundred chapters. Even with Miyazaki Aosuke's young body, his scalp tingles when he thinks about it.

Back to the topic, looking at Yukawa Kazuhiko who was a little annoyed, Miyazaki Aosuke did not speak first, but smiled and waited quietly for the other person to speak first.

"Miyazaki-san, what do you think of the plot in the first episode? After two days of filming, do you have any new ideas?" Yukawa Kazuhiko touched his clean shaved chin with his fingers and said, not able to Smoking cigarettes made him a little irritable.

"What does Yu Chuan-san mean?" Miyazaki Cangsuke didn't quite understand it. How long did it take to see what he could see.He had already discussed the plot with Yukawa Kazuhiko many times before, and the script was revised several times.

The script is now the final shooting version, the main lines, branches, open lines and dark lines have been clearly marked out. The director will take the picture and the film will be over. Suddenly, he can have any new ideas. It is a bit inexplicable.

### Chapter 85 Habitually Unfinished Strongest Screenplay###

"Miyazaki-san, I want to say, do you have any opinion on the theme of the first episode?" Yukawa Kazuhiko saw Miyazaki Sosuke's puzzlement, and continued to explain, "I originally thought it was based on the theme of mystery. As an introduction, it is a good idea to elicit the following plot. But I have been thinking these days whether we can change it and give it more depth. For example, add some elements that call for responsibility."

Yukawa Kazuhiko touched his chin with some distress. In the final script of "Housekeeper Mita", Miyazaki Aosuke and Yukawa Kazuhiko discussed the theme of the first episode of mystery. By shaping Matsushima Nanako Mita's mysterious background and origin, It arouses the curiosity of the audience, so that the audience can be caught by the show in the first episode, which has laid a good foundation for the future development of the plot.

But when Miyazaki heard what Yukawa Kazuhiko said, he probably understood Yukawa Kazuhiko's thoughts in his heart.This old man is probably on the verge of a young man and wants to add more lines and plots to the drama "Housekeeper Sanda" to deepen its theme.This is also the style of Yukawa Kazuhiko.

Before becoming a screenwriter, Yu Chuan Kazuhiko was a teacher.As mentioned earlier, RB society has been implementing quality education for a long time, that is, liberal education.The era when Yukawa Kazuhiko debuted as a screenwriter was the golden age of Japanese dramas. At that time, several TV stations, including Fuji TV, had filmed TV dramas with a relaxed response to education, and "Spicy Teacher GTO" was one of the most influential. A masterpiece, and coincidentally, this play is also a script created by Kazuhiko Yukawa, the main character of Matsushima Nanako.

However, with the development of the times, the class differentiation and social problems caused by liberal education have become more and more obvious, so Yukawa Kazuhiko created "The Queen's Teacher", a work reflecting on liberal education.The result of laissez-faire education is that the more free, the more shackles, the more relaxed, the more confused. Therefore, Yukawa Kazuhiko, who is a teacher, has always liked to emphasize self-discipline in his works.

Kazuhiko Yukawa is a very thoughtful screenwriter. His works often contain reflections on social issues, and he can be said to be a realist dramatist.But it is a pity that the biggest shortcoming of the work of the strongest screenwriter is that he will not end.Yes, Kazuhiko Yukawa’s works are always habitually unfinished, and they are affectionately called Master Shit by the audience.

Therefore, Miyazaki Sosuke paid special attention to the ending part in the script of "Housekeeper Sanda", and deliberately took the power of the director of the last two episodes in his hands, in order to prevent the ending of the drama "Housekeeper Sanda".

Now that Yukawa Kazuhiko wants to enrich the connotation of the first episode, Miyazaki is a little bit entangled.On the one hand, it is true that he and Yukawa Kazuhiko finally decided on the theme of mystification after discussion, but in fact his opinion is the dominant aspect.Because the theme of mystification is a very commercial creative technique.This is most common in suspense mystery novels.

After training in the creation process of "Eternal Sleep Is Not Awakening", and with the hand-in-hand teaching of the father Shimada Shoji, Miyazaki's portrayal and appreciation of the plot have risen to more than one level. Therefore, he created "Housekeeper Mita" by Kazuhiko Heyougawa. In the process of the script of ", he wanted to try this style.Yukawa Kazuhiko didn't have many ideas at the time, so he agreed to this commercial style.

From then to now, Yukawa Kazuhiko suddenly wanted to change the opening style, and Miyazaki didn't know how to reply to the senior writer.

After thinking for a while, Miyazaki Sosuke decided to back down.He also needs to continue to unite with this highly prestigious screenwriter in the crew to overcome all difficulties and complete the filming of "Housekeeper Sanda".So he thought about the script of the first episode and re-analyzed the plot of the next episode in his mind.

"Let's do it, Yukawa-san." Miyazaki said with a hand in his arms. This is a defensive gesture. Although he decided to agree with Yukawa Kazuhiko's novel ideas, he instinctively rejected such things that broke the original plan. Let him lack a sense of control over the development of things.

"The main storyline of the first episode is still based on the theme of mystification. This is the easiest way to attract the audience." Miyazaki Sosuke's words made Yukawa Kazuhiko's eyes a little bleak, compared to the first producer of Miyazaki Sosuke. Although Yukawa Kazuhiko is a highly prestigious screenwriter, he still cannot determine the revision and formulation of the script.

Because the role of the screenwriter is not responsible for the filming of the TV series. Without Miyazaki Sosuke’s nod, Yukawa Kazuhiko wants to change the theme of the first episode, so he can only ask the senior RB TV station to intervene, but this is tantamount to direct intervention. Challenge Miyazaki Sosuke This is something a smart person would not do.Therefore, upon hearing Miyazaki Sosuke’s words, he knew that it was a hopeless thing to enrich the beginning of "Housekeeper Mita", but the words of Miyazaki Sosuke immediately restored his dim eyes. look.

"But we can add some elements to enrich the theme of the first episode." After talking, Miyazaki walked to the backstage room of the crew, and soon he took a notebook and opened a new page and Yukawa. Kazuhiko squatted in the corner of the set and began to discuss the plot modification plan.

"I think we can make up the plot and put it in front of today's conflict scene. For example, through Asuda Keichi's children questioning the attitude of parents and nanny Mita Tou, or comprehensive family issues in "Nanny 119" Integrate to reflect the theme that everyone must be responsible for their families and themselves."

The "Nanny 119" mentioned by Yu Chuan Kazuhiko is a documentary based on the British TV show "Little Angel" that tells the story of the British nanny reform and the American family that cannot manage children.Miyazaki Sosuke and Yukawa Kazuhiko used many ideas from this documentary when they created the script "Housekeeper Mita".

"Well, it's a pity that we continue to refine it. For example, children's attitudes towards their parents are right, which can be reflected by the young daughter's insulting language to the mother. This arrangement can also vaguely imply that Keichi Asuda's own behavior Irrespective of responsibility will lead to a series of consequences, which can also be connected to the subsequent plot." Miyazaki thought about the ideas put forward by Kazuhiko Downagawa, and felt that there was something wrong, so he refined the game based on the development of the plot. Kawahiko's thoughts.

"Yes, you can set the young daughter to say to her mother, "Mom, you go to die." This kind of fierce language not only has the tension of the plot, but also can ambush the back. Not bad!" Yukawa Kazuhiko thought for a while and proposed Miyazaki Cangsuke. He nodded with satisfaction.A smile appeared on his slightly wrinkled face, and the wrinkles layered up like old leather shoes.

"Yes, the theme of this play is salvation and being saved. We can extend this theme, how to redeem, how to be saved, and finally rely on the responsibility. This is the starting point for us to insert and modify the plot." Miyazaki Aosuke vaguely hinted that Yukawa Kazuhiko shouldn't be too proud, so as not to get up the head when revising the plot, which would make the bull's head of the original good plot be wrong, and in the end it would be unfinished.

### Chapter Eighty Sixth Chapter Plot Conflict###

I just hinted that Yukawa Kazuhiko should be more cautious and don't be unfinished. Miyazaki Aosuke just thought of a series of works after Yukawa Kazuhiko.Including the "Disguised Couple" that allows the heterosexual heroine and the gay hero to marry and the happy ending, and the "OO Wife" that makes the heroine die, all are the kind of first to throw out a typical marginal character who is attracted by curiosity. The audience, but the relationship between the characters and the interaction between the characters are very perfunctory.

Could it be that the old man became addicted to revising the plot from "Housekeeper Sanda", and then he was out of control, and then he gradually developed a bad habit that made the audience hate it.

Miyazaki Aosuke thought that his indulgence might spoil Yukawa Kazuhiko, the screenwriter Uncle Yung, and lead to a series of unfinished works for the RB audience in the future. This sudden thought made him unable to help but fight a cold war.

"Miyazaki-san, don't worry. Leave it to me. It will definitely satisfy you." Yukawa Kazuhiko is full of confidence. The way he cooperates with Miyazaki Sosuke is that the other party makes suggestions, and he is responsible for making changes.After all, he is the main creator of the script, and Miyazaki Aosuke will not even name the screenwriter. The relationship between him and party is very much like Party A and Party B.

The previous discussions between Yukawa Kazuhiko and Miyazaki Sosuke came in this way, and they all reached a compromise in Miyazaki’s continuous proposal to simplify the development of the plot and Yukawa Kazuhiko’s persistence in reflecting on social issues.The final revision results also passed Miyazaki Sosuke’s review, so Yukawa Kazuhiko is also confident in this revision.

"Then please ask Yu Chuan-san, but remember that you have already filmed the main line and do not modify it, otherwise I am afraid that director Ryuichi Inogu will lose his temper when he hears that he wants to remake." Miyazaki Sosuke reminded Yukawa Kazuhiko with a smile.

"I will pay attention. I don't worry about the director of the pig stock. He is not too sensitive to the modification of the plot. I am mainly afraid of Matsushima-san. You know her temper. She is really going to get angry on the set. I am afraid that none of us Can't persuade her." You Chuan and Yan said with a wry smile.

Modifying the script is an offensive thing. After all, it may invalidate the previous shots and make the staff's work in vain. Therefore, after the script is set, the content of the shots that have been shot is often not modified. Make up some shots as a supplement to the rich plot.

Therefore, for Yukawa Kazuhiko, he can only improve as much as possible without changing the main line, otherwise he will have to eat the anger of the chief Matsushima Nanako.Although the Japanese drama queen is serious about her work, things like modifying the script midway are not part of serious work.

If she learns that her previous filming work has been wasted, and she has to work overtime to make up new shots, she might lose her temper directly on the set. After all, this person has a temper so that her husband will scold her on the set. .

After discussing the revision of the script with Yukawa Kazuhiko, Miyazaki Sosuke returned to the director Ryuichi Inogu, and continued to stare at the monitor, watching Ryuichi Inogu's directing work on the set with relish.Until the evening, when night fell, Zhugu Longyi's co-production crew moved to the open-air studio outside, and the most important conflict scene of the day officially began filming.

In most film and television dramas, conflict dramas can best reflect the ability of a director. Whether they can make conflict dramas and grasp the changes in the plot is an important criterion for evaluating whether a director is qualified.For example, a famous father-in-law who switched from a writer and a race car driver to a director has few conflicting scenes in his movies. On the one hand, it may be due to his creative style, and on the other hand, it may also be because the director’s skill is not enough to control the conflict scene. So just choose not to shoot.So his movies always feel a little dull and tasteless.

As for another twin pride who is as famous as him, is he making a movie?That was a fashion advertisement. No, some fashion advertisements were better than the three dramas of the era.

The layout of the conflict plot is not only a test for the director, but also an important way for a screenwriter to show his thunderous heartbeat.

The conflict in the drama may also come from the outside. It can be a conflict between one character and another, such as Oscar and Felix in Neil Simon’s "A Strange Couple"; or it can be with society. The conflict, such as Nora in Ibsen’s "Doll’s House"; it can also be a conflict with nature, such as the climbers in Patrick Meir’s "KI"; a conflict with destiny, such as Sofolk Les' tragedy "Oedipus".

The conflict in the play "Housekeeper Sanda" is the process of running-in from strangers to the family of Sanda and the Asuda family.Every time a conflict occurs, the starting point is to show the character of Mita Tou, and sometimes the story of the Asuda family is exposed to promote the development of the plot.