Shadow queen development plan

Shadow Queen Cultivation Plan Chapter 14

Qiye is not like the original moon in time and space, with a large fan base. Instead, what he wants to do is to pull people into the pit of the moon world he created as much as possible through this movie.Therefore, Qiye must find ways to improve these places that are not very friendly to passers-by.

And this action scene is also one of Qiye's improvements.

Regarding those ghost girls, Nanya plans to adopt the shooting methods of models and real people.He first ordered people to tie steel cables throughout the corridor, and then hung "girls" made of white sheets and plastic on the ropes to move.

Qiye’s original idea was to use these models to show the movement of the girls, and then take some close-up shots of the actors to supplement, and show the "ghost girls" to the audience by combining the two types of shots.

However, the reality is not as beautiful as Qiye thought.

"Cut!"

Qiye called to stop again, he frowned and looked at the screen without knowing what he was thinking.

"director?"

Everyone was confused by Qiye's call to stop, but because Qiye did not issue further instructions, everyone could only stay where they were.

"It's nothing." Qiye shook his arm vigorously, seeming to be driving away invisible bugs.

The effect in the lens is much worse than Qiye thought. Even though the thin iron wires placed in the sheets when weaving the props can make these ghost girls pose at will, they still have a very strong sense of props.

To put it in a popular language, the "five mao special effects" are full of sense, and they look a little bit.

"Why don't I try another method?" Seeing that Qiye has been silent, Zhili went over and looked at the lens, realizing the problem, he made his own suggestion to Qiye.

"No, no matter how you do it, there will be no qualitative changes." Qiye said with some distress, "If only CGI could be used."

Although the development of film and television entertainment in this world is much better than in my previous life, the technical methods have not improved much. Computer special effects are still a novelty for people in the current circle.

Now in 2000, digital production is far from popular.Computer special effects are basically synonymous with expensive, and even cameras are mostly film.For the presentation of the lens, either on-site shooting or model shooting is completed. Only the top Hollywood productions will use computer special effects.

Therefore, no matter how stingy Qiye is, he still uses film to shoot movies, even though the cost of film is scary.

At this time, Qiye really missed the film-making technology of his previous life, whether it is a digital camera that does not require film or those mature computer CG technology, it is his jealous UI.

If we can fast forward 10 years now, Qiye can directly use the green screen special effects to solve this problem, and now he can only stare at the huge film tray.

"Huh? Film?"

Qi Ye Mingming seemed to have caught something, but the flash of light was so fast that he slipped away before he could react.

"Senior, what are you talking about stupid, if we can have the computer special effects technology of "Titanic", what are we still doing here?"

"Also, if only it could be directly made into an animation..."

Qiye stopped talking suddenly, and he finally thought of a possible solution.

"Senior, do you have a solution?"

Qiye said confidently: "Well, I thought of a stupid way."

㈡⑨⑧316354

pS: Although the two films "Jurassic Park" and "Titanic" opened the door to computer special effects, the persistently high production costs made computer special effects something that can only be played by top commercial blockbusters.

The civilianization of computer special effects, or CGI technology, is actually going to be even further.

Chapter 12 Cheap Labor

The method Qiye thought of was very simple, and it could even be said to be the original method-he planned to take all the shots involving the spirit body and use some models to shoot semi-finished products-especially leaving only the part from the head to the neck.

Then, after the shooting is over, Qiye intends to let people paint directly on the film to fill in the rest of the spirit girl.

Although this method is very cumbersome and complicated, it is the best method Qiye can come up with.

The technique of drawing special effects on film is not uncommon, and it can even be said to be one of the earliest film special effects methods.

As early as the black-and-white film period, Hollywood used this technique to express some shots that were difficult for real people to achieve at the time.

In the 1960s and 1970s, Tsuburaya also used this technique. The light effects in the Ultraman Showa series they shot were all drawn on the film by the staff.

Of course, in the memory of Seven Nights, the most exquisite technique of this kind is the cartoon "The Adventure of the Sloppy King" produced by the Tian Dynasty in the 1980s.

The opening theme of this animation also uses this similar technique.In the case of shortage of funds and blank digital technology, the big guys of Shanghai American Factory directly drew animation on the recorded live film, so as to achieve the effect of real people and animation in the same frame.Even in order to keep the original film for each episode, they asked the little loli to sing the opening song 13 times in front of the white screen, and drew the film exactly 13 times, and then stitched it into the animation of each episode.

With the efforts of those big guys, the effects they have made are even better than some of the current green screen computer special effects pictures.

In fact, at this time, computer special effects are not without technology. There are already many special dramas in use, but most of these are the application of the light skills of heroes and monsters.

This level is far too poor for the "spiritual body" that Qiye hopes for, and of course there is a more important point-too expensive for Qiye to play.

"But painting on film would cost a lot of labor, right?"

After hearing Qiye's solution, Zhi asked curiously.

Qiye denied Zhizhi's guess: "No, if you outsource to an animation company, the cost is not as much as you think."

Japanese animation companies are notorious for squeezing labor. Although it is not up to the low price of vomiting blood at the current stage of 30 yuan for the original painting and 2 yuan for the middle painting (unit RMB), the cost price of an original painting is not. More than 5,000 yen.

"So if you give it to them, you should be able to get it at a price of around 6,000 yen per frame. As long as the number of frames that the spirit body appears within a certain range, there shouldn't be a big problem."

"It's too cheap."

After hearing Qiye's offer, Zhizhi silently put a stick of incense on the hearts of those animation staff.

Nanaya shrugged and said, "Yeah, you know that the monthly salary of an animation supervisor is less than 100,000 yen. God knows how they survived."

Although I have deep sympathy for Japanese animators, it is precisely because of this that they are able to complete their movies on the budget, so Qiye is still more or less grateful.

Shonan said to Qiye, "Speaking of which, my Royal Highness also thought about being an animation sound effect engineer, but because the salary was too low, I gave up~? I really sympathize with the original artists, so I still let the temple go down to comfort them. Come on~?"

"Over there, don't just go into estrus!" Qiye threw an empty mineral water bottle on Shonan Rantaro's head, "Wait for your other camera to take close-up shots, right?"

"Don't worry, I will take a picture of the perfect posture of Miss Adachi~?"

Shonan said, shaking her hair at the heroine, only to get a cold snort.

"Are they really shy women~?" Shonan comforted herself.

[No, she just doesn't like your perversion.*N

Everyone thought silently in their hearts at the same time.

Whether Qiye’s idea can be realized or not depends on the handwriting of the original animation artists, but from the point of view of on-site shooting, it is indeed a lot easier.

Because there is no interference from the white sheets, these "ghost girls" are obviously much easier on the wire movement.The shooting tasks of the group actors have also become very easy, after all, they only need to put some indifferent expressions in front of the camera.

Although as ghosts, these actresses cannot show their acting skills in front of the camera, and they cannot highlight their bodies (although most of their bodies are very distracting), and they don't even have lines, leaving only the laughter of ghosts and animals.