Shadow queen development plan

From the first day when Qiye picked up the director tube, the number of shots in a film was not dozens or even hundreds of times the final editing.

From the preparation period to the end of the shooting, Qiye prepared a lot of material.

These video materials can be said to be the hard work of Qiye and the crew.

But after entering post-production, most of these materials will not be used.

They don't even have the qualifications to be deleted on DVD.

In fact, there are only two purposes for the post-production work of the film, one is to delete those unused shots; the other is to perfect the used shots.

Except for the occasional few days off, Qiye will live in the studio on weekdays.

However, unlike the days when the first half of FZ was unbearable, Qiye stayed in the studio this time just for work convenience.

He is not familiar with New Zealand, a place where birds do not shit, and he has no spare time to stray in Wellington.

Qiye carefully tries to figure out what she wants every day.

Then describe it to editors or special effects artists, and let them help them turn their imagination into reality.

However, there will definitely be information gaps in communication between people, and the other party cannot fully understand what they mean.

So Qiye will repeatedly research and review the results of editors or special effects artists for several hours.

Then the parts that did not meet their expectations were put forward and reworked.

In this case, various scenes of the movie have undergone repeated editing.

Seven nights often have to process hundreds of shots a day.

This is a boring and heavy work, but Qiye must take every shot seriously.

Because these shots will be an important part of the movie "Little Circle".

If there is a fatal editing bug, it will even cause the movie itself to be destroyed.

The movie "Little Circle" is characterized by gorgeous battles and twists and turns.

This story cannot be said that the predecessors have never written a similar story, but it is necessary for modern audiences to see new ideas.

But this story is not too advanced, otherwise the audience will lack emotional work.

In order to be able to grasp the essence of the story of Madoka, Qiye even called Xu someone from Japan to New Zealand.

And let Xu Yuanxuan join the post-production together, and constantly put forward useful new ideas for himself.

To put it bluntly, it was Kiryu Qiye, his big capitalist, who tried to squeeze the surplus value of all relevant employees to ensure that the final product he produced was a masterpiece that satisfied most people.

But even so, the team will often encounter situations where they look at each other and are helpless.

In order to find the feeling, Qiye repeatedly watched the animations of Japanese magical girls from various eras and American superhero movies with Lao Xu in his free time.

However, Qiye does not intend to be influenced too much by these works, after all, "Maidu" is a completely different work from them.

The opposite of them are the editors.

In order to ensure the purity of the tool man, these editors do not know about magical girls, and they are not fanatic fans of magical girls.

Of course, they are not going to become that kind of person.

Although this may allow them to cut out certain clips that may be necessary for the Magical Girl fans when selecting the shots.

But on the other hand, this also makes the editing effect more acceptable to the general public, and avoids the movie from being too fan-oriented.

These editors have not even seen a Japanese magical girl, because they think it will not help to make a film costing hundreds of millions of dollars.

After all, Qiye's positioning for "Midoka" is a magnificent magical epic.

This ambition can be seen from the fact that he deleted the [Magic Girl] from the movie title and only left [Maidu].

How many fans of magical girls can there be in the world?

As an audience-oriented big movie, Qiye will definitely choose a wider audience.

Under the direction of Qiye, the post-production of "Magic Circle" has been going on according to plan.

The only thing that makes the later time uncertain is the special effects rendering time of the movie.

But overall they are all within Qiye's control.

At this time, 2008 has come to an end, and this year's North American box office battle is almost over.

Before the Christmas time, "The Dark Knight" was finally released.

And Qiye's movie "The Flame of Purgatory" this year also stopped being shown in theaters a few months earlier.

On the contrary, "Captain America" ​​is still in theaters. At present, this American main theme commercial film has won the box office of 270 million US dollars, squeezing into the top five of the year.

Although the results of "Captain America" ​​are gratifying, it is nothing compared to the previous ones.

The fiercest battle on the North American box office chart in 2008 was the battle between the two noir-style commercial films "The Dark Knight" and "The Flame of Purgatory."

Among them, "The Dark Knight" finally ranked second with a score of 516 million US dollars.

And his opponent "The Flame of Purgatory" won the 2008 North American box office championship with a score of 531 million US dollars.

Jiufeng was very happy with this result, but Qiye himself was a little bit unhappy.

After all, his goal in mind is the $533 million that "Dark Knight" won in his previous life.

"Fire of Purgatory" ended up with a deficit of 2 million dollars.

If "The Dark Knight" is released in August, Qiye estimates that "Fire of Purgatory" should be able to break this record that only she knows.

After all, because of the similar styles, the box office curve of "Purgatory" after the release of "The Dark Knight" dropped directly to the lowest end.

As for "The Dark Knight" itself, because of the similar style of "Fire of Purgatory" ahead, it was somewhat affected.

Losing that 17 million box office is the best evidence.

However, Qiye still has something to be proud of, at least the global box office of "Fire of Purgatory" is 1.204 billion US dollars.

Even Qiye’s last life’s "Dark Knight" did not have this result, not to mention that the global box office of "The Dark Knight" in this life has not even reached 1 billion.

But "The Dark Knight" is not frustrated here, after all, no one can say that a film that can get $500 million in North America is a failure.

Nolan's position as a talented commercial director in the minds of Warner executives has further increased.