Shadow queen development plan

This commercial soundtrack master is not at all lost to ZUN in terms of talent and level.

Excluding "Magia" and "Connect", Qiye asked Hans Zimmer to restore these two theme songs based on her own memory.

All other "Magic Circle" soundtracks were specially created by Hans Zimmer based on the movie plot and video material given by Qiye.

Generally speaking, the achievements of this commercial film scoring master fully meet the requirements of Qiye.

But so far, Qiye still has not added the soundtrack to the later stage of the film.

On the one hand, it is because of the work progress, on the other hand, Qiye has some opinions on the version of the performance.

From Qiye's perspective, the current bands that make music for the film can't bring out all the characteristics of Hans Zimmer's music.

Although the style of "Little Circle" is somewhat similar to that of Qiye's previous life, Hans Zimmer also added his own understanding.

Especially in order to match the heavy plot of the movie, Hans Zimmer used a lot of suppressed electronic sounds to highlight the tragic fate of the girls.

When Hans Zimmer saw the script of the movie, he was repressed by the madness in the story of Madoka.

In his own words, it is: "This is crazy than "The Dark Knight"."

It is full of depression, which can be said to be a distinctive feature of the soundtrack of "Madaku".

Hans Zimmer used a very coordinated monotone transposition, combined with an electronic synthesizer, to create a very strange musical effect.

Just this kind of music can directly give people a strong auditory stimulation.

Not only that, Hans Zimmer also divided the soundtrack into three parts according to the theme of the movie.

For the witch, he used a lot of cool tones to create the dark atmosphere of the soundtrack.

Many uncoordinated chords, almost crazy weird melody, extremely rich electronic elements, plus the high sound effects similar to the ancient religious trials.

So many kinds of sound effects, through various combinations and collocations, eventually become ever-changing pieces of music.

These music will become the exclusive background sounds of different witches.

Although there are not many original materials, after various variations and collocations, the soundtrack of these witches will not only make people feel thin, but will make the emotions more full and real.

Qiye even feels that these music can become the material and argument for future audiences to analyze each kind of witch.

Then the other part is the soundtrack of the magical girls.

In order to match the fighting style of the girls, this soundtrack is extremely gorgeous.

I don’t know if Hans Zimmer deliberately chose the violin as his main instrument.

Through the violin, a sixteenth note skipping bow is played continuously, and this part of the music shows a powerful effect.

Coupled with the sense of urgency created by percussion instruments, it faintly creates a mood of instability and anxiety.

This shows the instability of the magical girls' hearts, and at the same time implies their final tragic ending.

Of course, the soundtrack of the magical girl is not just that.

As the most used BGM in combat scenes, pure tension will definitely make the audience's feelings unable to release after accumulation.

Therefore, Hans Zimmer also added the long notes of the string music, so that people who listen to the music have a kind of refreshing feeling of passion being released.

Compared with the witch’s soundtrack, which gives people a heavy sense of history, the magical girl’s soundtrack is a combination of electronic music and orchestral music, giving people a modern feel.

Although in terms of setting, the witches should be the future of magical girls.

But this kind of music arrangement is not very obtrusive.

Qiye and Hans Zimmer are working together for the first time.

But Qiye has really heard too many Hans Zimmer's movie soundtracks in her previous life.

Therefore, Qiye clearly uses a lot of electronic sounds and rapid transfer between orchestral music, which often appears in many works of Hans Zimmer.

This technique is very skillful. If you want to achieve the effect of the creator, you need to switch quickly when playing, and it is not easy for the audience to notice.

This is why Qiye is dissatisfied with the current band.

As a traditional band, they didn't do well in switching between electronic sound and orchestral music, which gave people a strong sense of fracture.

In addition, the third most special distribution music is the exclusive soundtrack of Lume Yuanxiang.

Hans Zimmer divided Yuanxiang's soundtrack into two parts according to the plot of the story.

The first part is a beautiful piano solo, used to show Yuanxiang's original peaceful and happy daily life.

However, even in the opening part full of light and joy, the piano melody of the soundtrack uses a string of cool notes.

Hans Zimmer intends to use this to suggest that the protagonist Lume Yuanxiang will experience a poignant story.

In the middle of the story, the magical girl's variation was used to overstep.

Among them, the percussion instrument used to create a sense of anxiety has been significantly enhanced, in order to reflect Yuanxiang's sense of confusion under the double pressure of the cruel reality and the enchantment of QB.

In the last part, the moment Yuanxiang signed a contract with QB to become a magical girl, the music changed into another style.

In this soundtrack, Hans Zimmer uses his seldom-used technique of mixing symphony and opera.

In order to increase the divinity of Lumu Yuanxiang, he widely used the characteristics of religious music from all over the world.

In the end, a religious epic tune of the new century was carefully brewed.

The performance of this piece of music releases a sensational, regretful grandeur, just like a wave of majestic frenzy.

Qiye believes that the audience in the IMAX theater will be deeply shocked by this song.

But with such a good piece, the band's strength is really a little bit hip.

"Jimo, I have no opinion on your song."

In the meeting room of Weta Studio, Qiye, who was seated at the top of the meeting table, said to Hans Zimmer, "But the level of the performer is slightly weaker."

This is a very obvious problem, even if it is a half bucket of water in music like Qiye, it can be heard.

"I know."

Hans Zimmer nodded to express his understanding.

"Bally" Qiye turned to her assistant, "You are responsible for contacting a few more famous orchestras to see if anyone is willing to take over."

Hiring a well-known band is definitely not a small expense, but since so much money has been spent on "Magic Circle", it doesn't hurt to have more.