Shadow queen development plan

However, Xinfang said that that was too cruel, "It can't give the audience a feeling of killing with blue hair" (the original interview)

So the TV version should only teach two people a lesson.

From this we can see the gap between the new house wind and the old Xufeng.

However, Mi-chan prefers the handling of new houses. After all, how could Mi-chan’s favorite blue hair kill people.

This stupid girl will only let herself break silently.(,,??ω?)

Chapter 662 I'm Here To Accompany You, Sayaka [Add 14/40]

The witch and the magical girl are one.

When the filth in the magical girl's soul gem reaches its limit, the original magical girl will become a new witch.

"What a clever way of telling! Although it has oriental philosophical thoughts, it is easy to accept."

The mermaid witch that appeared on the big screen, although it is completely different from Sayaka, can be clearly recognized by all viewers who see it now that this is Miki Sayaka.

The black and purple crown gives a feeling of blue being polluted by black, and the sometimes dark pink bow seems to describe Sayaka's unstable mental state.

And that long sword, even though it changed its style, everyone still recognized that it was Sayaka's weapon.

Albert sighed as he watched the new witch who was screaming.

As a film critic who admires drama and art, he really doesn't like special effects movies.

Albert always feels that too many special effects will not only squeeze the space for actors to perform, but also affect the narrative rhythm of the movie.

This is not Albert's prejudice, but most special effects movies are really like this.

For example, his least favorite director Michael Bay is the most typical example.

In order for the long-faced director to show gorgeous firework special effects, the plot of his movie is generally compressed to an extremely simple, sometimes even the basic story is not clear.

Albert hates this kind of movie, and he has a director who doesn't like making such a movie.

However, Kiryu Nanaya's "Madoka" is different.

On the one hand, the actors' acting skills are indeed very superb, and the five leading actors have reached the limit that can be achieved in the basic setting.

Among them, the acting skills of the two actors Shuzuki Yumi and Tosaka Rin are no less inferior to some of his favorite art films.

Of course, there must be a gap with those top art films, but the age of these actors cannot be ignored.

After all, not every actress can be as talented as Judy Foster and can perform the best drama in the best years.

On the other hand, Kiryu Nanya is also very particular about the use of special effects.

Unlike other methods that use special effects to shock the audience, the special effects in the "Magical Circle" movie exist solely to serve the plot.

Although you can see some cool special effects shots that serve the audience.

But these battles are of plot significance, not the kind of show off skills for show off.

This made Albert had to look at him with admiration.

In fact, there were similar situations in Kiryu's movies in the past, and special effects have always been his way of telling stories.

However, the director’s past works really value commercial results too much, so in many cases there will still be special effects backtracking the plot.

"Little Circle" is a complete exception, which makes Albert obviously feel a kind of progress

[Perhaps, special effects are not something that has no merit at all.

Albert believes that if he adopts traditional filmmaking methods, he is definitely impossible to see such a wonderful story.

Not to mention the dazzling 3D stereoscopic effect, it is those witches who can't achieve that kind of realism without CG.

Special effects are not the poison of movies, but they need to be mastered to make satisfying dishes.

The Pulitzer Prize-winning film critic thought to himself.

[However, this also requires those directors to have the ability to tell stories like Kiryu Nanaya. Michael Bay is a trash, he will never want to understand this in his life.

Roger Albert once again dissed the director he least liked.

However, people like Roger Albert who can keep thinking are in the minority.

Most of the audience in the theater was deeply shocked by the tragedy shown in front of the screen.

Especially when Miki Sayaka completely turned into a witch, it shocked many people.

Of course not because of the shocking special effects of the transformation, but for the plot of this paragraph.

For example, our Miss Lily Waiting.

At this time, the blonde girl with a single ponytail had collapsed softly on the seat.

It took her a lot of effort to let herself stop crying.

This is not because Lily is sentimental, or her tears are too low.

Because other audiences on the side have similar performances, many female audiences are already crying.

They seem to have seen the self who silently paid for the person they liked in the past, but eventually lost everything.

But Lily felt that others could do it, and that she was ashamed of her brother-in-law.

Even in order to avoid being frightened by some dark and cruel plots later, Lily still has the urge to take off the 3D glasses.

But in the end, Lily gave up.

After all, the movie story is so wonderful, it's really a shame to miss it.

[In short, it's brother-in-law's fault.

The single ponytail girl couldn't help but complain.

[Why are movies of this kind of plot rated as PG-13?!If I directly mark the R level, I will definitely be mentally prepared.

[With the blackness of this plot, there is no problem at all if it is directly rated to R level!Sure enough, did the woman Shion stuff money?!!

Lily waved her small fist.

In order to retaliate against her stinky brother-in-law, she decided that next time she waited for her brother-in-law and her sister to date, she would hide in their bed and scare them.

In fact, the MPAA itself is quite wrong about the classification.