Shadow queen development plan

In the original plot, the black Saber only played a super long light cannon once, but in the version of Seven Nights, the black Saber played the light cannon several times in a row.

This is not only to create a gap for Li Xiang to come to Ma Xiu, but also more in line with the setting that the black Saber treasure can be fired continuously.

"is coming!"

Yumi reminded the dog feed next to her.

"This time we are together!"

Inugai held Yumi's hand, and the camera at this time gave him a close-up of only two Reisha on the back of his hand.

Yumi was taken aback for a moment, then his expression began to relax.

Qiye outside the set made a gesture to the blasting team.

!

The ground in front of the two made a continuous sound like a cannon.

The ground made of special soil is connected to the explosion pit, which continues straight to the two protagonists.

This tunnel is the light cannon trajectory played by the black Saber treasure. After the shooting is completed, the CG group will add the special effect of the black light cannon in the screen.

Even though the explosion of such a pit may seem very scary, it is actually a typical example of "big thunder and little rain".

The place where Yumi and Inuji are standing is actually an elevated platform. This "gully" was dug in advance, but it was covered with a thin layer of special clay.

Under this layer of clay, an exhaust pressure gun was placed by the blasting group.

When the shooting starts, the high-pressure nitrogen that is rapidly released will "shock" the top layer of light clay.

The reason why it is so complicated is that Qiye didn't want the fire to appear in this blasting, and if all of them were made with CGI, the dusty scene would become very unnatural.

Of course, there are ways to make it more natural, but the money to spend is more.

Therefore, from the perspective of cost performance, Qiye still adopted this method.

Qiye learned this trick from Nolan when the other party was shooting the scene of "Inception" on the streets of Paris.

Because of the requirements of the Paris government, Nolan's crew was asked to blast the sound under 104 decibels.

Coupled with the requirements of the script, this explosion that occurred in the subconscious can not produce any real smoke and fire.

So Nolan came up with the "air cannon + lightweight props" method to shoot the scene where things in the cafe were blown up.

It can only be said that Nolan is worthy of a real-life madman, and he did everything he could to avoid using CG.

Qiye is certainly not paranoid like Nolan, but he will also learn from the other party's shooting methods.

Learning the strengths of other directors has always been Qiye's good habit.

He doesn't think that he won't need to study after winning the film history championship and Oscar.

The director must constantly adapt to the changing trend of the position, which is not only reflected in the creative concept, but also in the shooting technique.

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pS1: When Nolan filmed the scene on the streets of Paris, it was completely real-life shooting.

The crew even calculated the trajectory of the explosives, so that the two actors were in the explosion without any danger.

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pS2: In order to take care of those who can't see the animation, Michan changed the order of the two covers.

In this way, readers who cannot see the animated picture can see the cover of the persecution picture.funny

Chapter 767

"Drink!"

A few more seconds after the explosion ended, Yumi and Inuga, while holding on to the shield, shouted as if to exhaust all their strength.

I have to say that the green screen performance is indeed a very important performance. This kind of performance that relies entirely on brain supplementation is still a test of the actors' acting skills.

Yumi has already had a lot of green screen performance experience during the filming of "Magic Circle" before, and has been able to perform freely.

The dog feeding side is a bit worse.

It’s okay to take the previous few shots, after all, it’s a big deal to do NG again.

But this time the scene is more complicated, and it takes a long time for the set group to arrange the scene.

Don’t look at Qiye and say it’s okay, but Inukai doesn’t want the crew to film again for his own sake.

Being a pure newcomer adds extra workload to everyone. Even if those people behind the scenes don't say anything, they will definitely be dissatisfied with them in their hearts.

Therefore, Kenshi asked Yumi to insure herself.

When he couldn't help laughing, Yumi stomped on the dog's foot where he couldn't see the camera.

"Ah ah ah ah——————!"

The pain on the foot was fed back to his brain, and the dog breed immediately screamed like a pig.

Although there is a certain difference between the screams of pain and the screams with all their strength, it does not matter much.

When the special effects are added in the later stage, in the atmosphere of black flames, the audience will naturally think that this is a shout for the effort.

Because the audience will take the initiative to substitute their emotions into the scene when watching the movie footage.

In such a situation, as long as the actors perform corresponding expressions, the audience will naturally follow the story and go on.

But in fact, this is completely the magic of movies, and it is also the unique storytelling technique of movies-montage.

This is also the reason why some "tips" were used to assist when the actors were not performing well before Qiye.

For example, sticking a "small massage appliance" on the soles of the feet of the two ceremonies, let her make a shy expression.

Qiye did the same thing to Lily to help her show Saber's expression after being captured by Medusa.

Of course, the most famous is the kick that Qiye used to kick the ass when filming "Kingjing".

Because Qiye was chased three streets by Zhiya who still had footprints on her ass.

Until now, when the old guys have dinner, this matter is often brought out by everyone to tease Qiye.

Yumi and Inugai stopped when the staff outside the venue made the end gesture.