Shadow queen development plan

However, many countries are more troublesome in terms of schedule requirements than the Heavenly Dynasty.

Fortunately, the most stubborn Japanese market has always given the green light to Jiufeng's movies. Although the work in other countries and regions is more troublesome, it is not too difficult.

Regardless of how easy this kind of thing is, it is very difficult to actually do it.

There is no doubt that the six major Hollywood companies with a long enough history have a much higher advantage in this respect than other film companies.

Not to mention other countries, even Hollywood second- and third-rate film companies can hardly do this kind of thing.

After all, to release a movie in a country is never as simple as giving a movie copy to the theater.

From the initial review, to the subsequent announcement, and then to the final unified release.

Each of these tasks requires the cooperation of the corresponding groups in the screening area.

During the review, the film company needs to communicate with the review department; during the announcement, the film company needs to contact the local media to help promote it; before the release, the film company needs to contact the local theater line.

Jiufeng Entertainment has been deploying global distribution channels since the FSN period.

But it is still in this year's "Prologue" that these points are really clarified and can be released globally to become the standard feature of blockbuster films.

The reason is also very simple. Jiufeng Entertainment has eaten Fox's global distribution channels.

Although the previous "Little Circle" and the previous FZ did indeed achieve simultaneous global release.

However, the number of countries and regions that have been screened is simply incomparable.

And at that time, in order to achieve global synchronization, the entire department of Jiufeng Entertainment almost vomited blood from the liver. How could it be so easy now.

Only when you really have the six distribution channels can you feel the gap.

Fox's distribution advantage built on decades of development is definitely not comparable to a newly emerged company like Jiufeng Entertainment.

From this point, Shion is really fortunate that he has found a good time to successfully acquire one of the six major Hollywood companies.

Although Fox’s legacy is good, not all of the distribution channels of Jiufeng Entertainment have been established by Fox.

For example, Tianchao’s distribution channels are basically built by Jiufeng Entertainment itself.

Probably because the movie "Da Qin" Tianchao is involved in investment.

The attitude towards the Fate series here is much better than before.

"The Hundred Years War" encountered little trouble during the review, and entered the mainland without cutting it.

Of course, this is also related to Qiye's concept of making movies.

He rarely touches on any sensitive topics in the movie, especially those related to the celestial dynasty.

Even if there is, it is basically touted.

This concept naturally continues throughout the series.

In fact, it's not just FGO, all Jiufeng movies, Qiye will remind directors to pay attention to this aspect.

As a senior commercial film director, Peter Jackson certainly understands the doorway.

In fact, as long as you pay attention to the political aspects, do not cross the line between action dramas and "action dramas."

It's easy for Hollywood movies to be cut without cutting.

In fact, the early Hollywood movies did not know that the doorway suffered a lot.

After a few years, most of the major Hollywood special effects movies can be cut without cutting.

It's just that most of the fans of the Celestial Kingdom are a little unclear about this, and they have a deep hatred for the introduction of the film.

There are even radical people who think this is one of the reasons hindering the development of the film of the celestial dynasty.

Qiye had similar thoughts when he was young, but as his experience grew, he knew that these were pure nonsense.

The internal film review of Tianchao does not say that the introduction of movies for editing has never been a patent of Tianchao.

Hollywood is actually going too far to do this kind of thing.

When the first "Godzilla" was introduced to North America, it was cut into a mess.

Originally Director Eiji Tsuburaya wanted to express the anti-war ideology and the core of it was cut completely, and it was only shown as a simple monster special film in North American theaters.

Of course this is only a more extreme example, but Hollywood has always done this kind of thing.

Some shots in foreign films that have an impact on the United States are basically modified when they are introduced.

Qiye has always felt that the audiences of the Celestial Kingdom are too strict with their own review institutions.

Whether it is Big Scissors or Film Protection Month, similar things are basically happening in countries all over the world.

As a film market without a rating system, the Chinese Dynasty does not say that it is doing well, but at least it is not a hip.

At least, children from the Celestial Dynasty can see the R-rated "The Matrix" in the theater when they are 10 years old.

Of course, Qiye doesn't think that there is nothing wrong with the audit institutions of the Heavenly Dynasty.

just……

Cough.

In short, in 2011 the Chinese film market.

The introduction of a movie without cutting it is an excellent publicity hype.

Therefore, news headlines such as ""The Evil Dragon's Hundred Years' War" passed the censorship quickly, and it was determined to enter the mainland without cutting it. Naturally, news headlines appeared in major film media.

In addition to the "no cut" hype, these media mentioned more about the evaluation of movies by their North American counterparts.

"The Hundred Years' War of the Evil Dragon" had several trial screenings as early as September and October.

Almost all the media and audiences who have seen the film are full of praise for this film.

Because the director is Peter Fatty, and "Hundred Years War" can also be classified as a magical epic.

So everyone subconsciously compared it with the "Lord of the Rings" trilogy.

Although everyone agrees that "Hundred Years' War" is definitely not as good as the "Lord of the Rings" trilogy, there is not much difference.

The film’s portrayal of Joan of Arc is very real, even better than the masked characters in "Lord of the Rings".

The Hollywood media can trumpet, and the Chinese media can't do too much.