Shadow queen development plan

Miss Arong in the media gallery recalled the scenes of the film in her singing.

Although the end of the movie makes her a little regretful, as a die-hard fan of Qiye, she has been with his movies for more than ten years.

Every time the Seven Nights movie ends, she will have such a sad emotion, but it will not always be like this.

Because she knew very well that the director would certainly not be satisfied with the status quo.

There will be more masterpieces waiting for her to appreciate in the future.

When the subtitles ended, applause broke out in the theater.

Regardless of politeness or not, all the audience at the premiere stood up to applaud the crew.

However, Qiye felt that the audience in the Celestial Dynasty was still a bit shy.

If you switch to North America, there will definitely be countless fans applauding and cheering.

I remember that when she first came to the Tian Dynasty to participate in the premiere, Lily was shocked by the audience's reaction.

Just applauding and not cheering, Lily thought that the audience did not like movies.

But now Lily is used to it. She followed Qiye and waved happily to the audience in the theater.

Even though there was only applause, the audience still expressed their love for the movie with their own actions.

A diehard movie fan like Ma Zhongbo has been clapping vigorously since just now.

He kept patting his palms red, he didn't care.

This warm applause lasted for more than ten minutes!

It can be seen that the audience loves this movie.

Amid the applause, Qiye led the crew to the curtain call again and again until the applause was gone.

As Lao Feng with the same career as a director, he is also thinking about his own affairs while applauding.

Now that he has become famous, he is no longer satisfied with making commercial films to make money.

Since the 2007 "Assembly Number", Lao Feng's films have begun to explore a deeper direction.

From "Assembly Number" and "Tangshan Earthquake" to last year's "1942", in Lao Feng's eyes, these movies all carry the memory of this country and nation.

Some of these movies are good at the box office, but some of them can't make the audience buy it.

He has always felt that this is because the audience is changing.

Those who resonate with themselves are no longer the main body of movie audiences, and those young people simply cannot understand what they want to express.

But now, he has a different view.

"Da Qin" is indeed a commercial film through and through, but it is also a film with a heavy sense of the history of the Chinese dynasty.

And this movie is significantly different from those I made.

Although Lao Feng is not proficient in the history of the Qin Dynasty, he must know a little bit.

If he were to make a movie about Qin Shihuang, he would certainly not be so "crazy".

It can only be said that Kiryu Qiye is not an ordinary director after all.

He did not choose any allusions related to the legend of Qin Shihuang, but instead created a fictional Qin Shihuang.

But Lao Feng believed that this Qin Shihuang might be the one who impressed people the most.

In the film industry, most directors will want to gain artistic recognition after they have achieved commercial success.

Just like Maslow’s hierarchy of needs theory said, when people complete a certain level of needs, they will move to the next level.

Regardless of whether I am good at it or not, I can’t wait to enter the literary film industry, hoping to get professional and authority recognition.

The most obvious example is the old Zhang sitting next to him. Everyone who wants to get an Oscar is stunned.

But Kiryu is obviously different, he is always at the forefront of business.

It seems that nothing can shake his pursuit of the movie box office.

However, the strange thing is that the characters under Kiryu Qiye's lens are so vivid and powerful.

A foreigner shot the best Qin Shihuang in film history.

Thinking of this, Lao Feng suddenly came to a conclusion.

With the popularity of "Da Qin", there will definitely be many productions following the trend.

But I am afraid it is difficult for any movie to compare with this "Beauty under the Red Moon" in historical costume themes.

"Is this movie a costume movie?"

Lao Feng had such a doubt in his mind.

pS1: In chapter 2.3, Mijiang's two favorite plots.

One is "Farewell My Concubine" and the other is "The Phoenix has returned to the earth".

That is, the scene in the above two pictures.

By the way, the artist of "Farewell My Concubine" is Han Xin's original artist..._

pS2: Tucao, the Japanese side seems to like to attribute Xiang Yu to Shi Huang.

"Dynasty Warriors Joint Assault 2" and FGO2.3 are similar situations.

I don’t know what kind of misunderstanding they have about the relationship between Shi Huang and Xiang Yu...ε=(?ο*)

pS3: Lao Feng's movie uses "Assembly Number" as a demarcation point.

Before that, he was a purely commercial director, but after that he was not satisfied with the position of a commercial director.

Excluding "If You Are the One" movies made purely for the purpose of returning funds.

The movies after Lao Feng basically have a strong personal touch.

Unfortunately, because of the big scenes in the early stage, the box office was not bad.

But the next few films, such as "I'm Not Pan Jinlian" and "Fang Hua", were out of touch with mainstream audiences.

Mijiang's parents really liked these two movies, after all, they had similar feelings.