Skeleton Knight, in Another World

It's not cowardice, it's an ambush attack. Two.

The road along the river did not feel like a road maintained in flattery.

It was like just stepping on the soil on the ground, but I could see that there was a carriage coming and going because it was carved. It was time to travel down the river in the [Dimensional Walking Method (Dimension Move)].

We found carriages and multiple horses parked ahead of sight.

At the same time, I think I'm going to finally encounter people from this world, and at the same time, there are some signs that the atmosphere is very bad.

I gently peek in the vicinity of the carriage, shifting to a position where the neighborhood is easy to see in an attempt to explore the situation a little bit. Then there was a big man poking his sword at a man who looked like an escort. Five of them are rolling on the ground with the same escort-like figures around them becoming unspeakable. Bandits and thinkers are also rolling multiple times, but what survives now were six bandit-like people and two women. It's more obvious than looking at fire, such as the unfolding ahead.

To rescue two women, you have to deal with six wildlings who have no hesitation in killing. Just get out of the front and say, "Stop it, you guys! I can't say."

If your current gear is just as powerful an ability as it is when gaming, it would be fine to challenge it directly from the front, but in a way that looks like it would stretch like that or go against it in real life, you can't even hit your eyes in case you go against it.

This place is definitely a must-win operation, we just have to hit it unintentionally. For now, I'm hanging on to how many people I'll reduce with the first unintentional blow. But the odds should be pretty high. It's an attack since it was transferred in the Dimensional Walking Method (Dimension Move). The shrinkage is also bright blue for the first time. Start by knocking him out from the strongest looking guy.

Just at the end of his gaze, the target man just put his pants down and showed his dirty ass here.

The sword pulled out of the sheath, the mythical weapon [Sword of the Holy Thunder (Karadborg)] showed the power to gently break the tree. It's okay, it should be.

And at once I took the back of the bandits with that metastatic magic.

─ ─ From the results, the ambush was a great success. It was more overwhelming than that.

They were pushing the four men out of combat before they recognized this one and took action. And the two men who tried to escape were also quickly cleaned up.

At first I wasn't going to argue with a bandit who escaped. But when emotions were in the battle system, the body was moving before thought the moment I saw the escaped opponent. The story of showing the bear his back and saying he would be attacked if he ran away was an event that I thought might be the instinct of animals in general, not just the bear. I didn't even think I'd stab a stop there with [Fei Long Slash (Wyvern Slash)]...

But to help a woman, even though she killed a man, she didn't have such a strong impact on her hands or emotions. Is it the effect of this body?

Something bottomless is about to peek, but something decisive is missing.

─ No, this doesn't seem like an answerable question to think about right now...

Besides, the bandits have cleared up safely, so we need to help the women and get them to the nearby city.

The two women were dressed for a little trouble with the place of eyes, but for now, they also spoke out to reassure them.

"Does it matter?

Say that and speak to the two women in the same way as usual. Yes, as usual.

The tone I was using when I was playing this perfect game.

When roleplaying, tap the keyboard while talking in front of the PC, this is the basic way to play. It may not be all role players, but most people play like this... I'm sure.

For this reason my character setting was that although I qualified as a saint, I was transformed into a skeleton by a curse, a traveler wandering around looking for a way to break that curse, a nice samurai in his early forties......

Two women, no, those with chestnut-haired hair, are still girls. He was drenched in bright red all over his body in the blood of a bandit, and he was standing in an obscure manner. Was this just a little pathetic......

Women in samurai clothes will be in their twenties or so, brown eyes looking intensely willing for shorter hairstyles to the collar feet with redhead habits look straight back at this one. You've been torn around your chest, you're hiding your chest with your hands, but you're well aware of it, and it didn't seem to take much blood back.

"I'll wash my body a little in the river. I'll take care of the thief."

"Yes. Thank you. Ma'am, come here."

The red-haired woman, a samurai in her own words, rushes to the carriage and pulls a large piece of cloth out of her luggage, wrapping the chestnut-haired girl she calls a lady in that cloth and pulling her hand toward the river.

After seeing it through, I look around again.

There are ten bodies of bandits in total, and six corpses that look like soldiers from the escort. It's a terrible scene. Looks like we're looking at the scene of a tragic accident in a scientific investigation of an overseas drama. There are twelve horses, with the exception of four connected to carriages. As far as the baggage and horse gear being carried, the bandit's horse looks like six.

Horses in these times should be pretty expensive. It's like a passenger car in the modern world. Take the six horses of the bandits and sell them and they'll be good roadblocks. And then I guess I'll collect the money and weapons from the dead bandits. Weapons can be expensive in times like these, and they're metal chunks anyway.

Leather armor is not likely to be a large amount, so I decided to discard it this time. The blood stains on it are mostly damaged.

In the meantime, fish for the bodies of bandits rolling nearby. Something like a leather wipes bag is wrapped around the waist. When I removed the leather bag and checked the contents, it contained four silver-like pieces about the size of a hundred yen balls and fifteen pieces of the same color and size as the old ten yen balls. Both depict the same crest.

This seems to be the currency used here. Silver coins and copper coins? I can only say that it is sweet to make compared to the coins I see in Japan, but this has something like flavor.

I think all the bandits gave me coarse gold items.

The bandit's affectionate ass man had six pieces of currency about the size of a golden circle ball. It must be gold coins, surprisingly gold coins are small but quite heavy for their appearance.

Six gold coins, thirty-one silver coins and sixty-seven copper coins for all ten bandits. I can't say much because I don't know the price of whether this is fulfilled or not.

And then there are six of each sword, one like Mace, which is a battering weapon, and three daggers.

Throw your weapon in the hemp bag that was bracketed behind the bandit's horse.

The bodies of the bandits are put together and piled up in the meadow by the street. Is this something you get used to watching autopsy scenes in overseas dramas or something? I am strangely pale myself.

Bath [Fire] continuously on the pile of bodies. Like a flamethrower rolling out of his right hand, the flame relentlessly burns up the bodies of the bandits.

Even this would be useful as a fertilizer if it were ash, somewhat grasshopper.

When I saw it, one piece of copper coin had fallen near the burning flame.

I don't know if you have the idea of picking it up and throwing it into the flames, paying for three trips here, etc., but if you negotiate in the river plains, maybe you can get on a boat by yourself.

Moving up the wind to see the flames and smoke rise, two women were about to return from the river.

I feel my complexion is a little better than earlier, the chestnut-haired lady immediately went into the carriage. The lady of the samurai is pulling out a leather bag loaded behind the carriage and taking out her change of clothes.

"The body of the thief was burned, how about the bodies of the other escorts?

Ask her about the treatment of the other bodies. She stopped her hand a little and looked at the idea before

"The body is on the side of the street and will be picked up later by other soldiers. I will only take the weapon and the horse home, so if you are ready, thank you.," he replies, carefully bowing his head.

Copy that.

I respond so briefly and move to move the bodies of the escorts.

The samurai pulled a curtain from inside as she boarded the carriage with her change of clothes.

The escorts' weapons are packed in another hemp bag and thrown into the luggage compartment behind the carriage.

The escort horses with solid horse gear tried to connect them behind the carriage with ropes that were in the bandit's luggage.

The bandit horses rope five together and cross the horses that seem to be the most sturdy. It's hard to make it run, but you can if you want to make it walk, now you can pull the rope and tow it and you can take the horse to the city. The horse I rode looked a little annoying looking back at me for being a full body armor...

After a while, I finished dressing from the carriage. A samurai came out.

"Thank you very much for saving this dangerous place."

The samurai joins hands lightly in front and bows her head deeply.

"What, no thanks. Until I stumbled through the vicinity. More than that, let's go to the next city."

Looks a little tannic and weaves a guide all the way to the city where I want to be.

"Thank you!

The lady of the samurai didn't seem to notice this thought or anything, but when she gave her thanks again with joy, she quickly went up to the carriage podium.

As the carriage moves out quietly, I follow it by moving my horse across it. Looks like the other horses are being pulled by the ropes and followed properly by Tokotoko.

Looking up at the sky, the sun is leaning quite a bit, and it's getting dark, and in an hour's time, the sun will set completely.