Tensei Shite Inaka de Slowlife wo Okuritai

When you activate the transition with space magic, the sight switches instantaneously.

"Yacht!"

The view was more strongly distorted than usual, and the feeling of floating was too long.

I wonder if it is due to the long-distance transfer, and my magic power suddenly decreases and I feel a little uncomfortable, but I am used to it because I have experienced many times in magic training.

When you look up, there is a shrine in front of you.

The shrine still has a solemn atmosphere.

The columns painted in vermilion and the decoration of the golden water god are very beautiful.

I wonder if there is only a shrine, or someone is cleaning and managing it regularly. The shrine is as beautiful as it seems.

Even though, I was able to move to Kagura without any problem in one go.

However, as a price, the magical power inside the body has been reduced.

In a single use of magic, this means that long-distance transitions that cross continents also consume considerable magical power.

However, if you pay attention to the magical power inside your body, you can still afford it.

Is it possible to repeat the long-distance transition from Coriat Village to Kagra twice?

It is easy to return, but if you leave home, you can only afford one time.

My future transfer plan is to move to the place of your choice when you want, to relax in a wonderful place in the land or to eat delicious food.

In other words, you must be able to transfer at any time. Or else I can't help.

Isn't there a considerable amount of magic recently for a seven year old? I was confident that I was, but apparently she wasn't.

Sometimes, such as visiting the Eric family, they skipped the training to increase their magical powers, but they had to return to the beginning and do it on a daily basis. Even if you are busy.

And you have to increase the magical power to increase the number of times you can transfer.

The room of heart and magic can afford life.

I was going to see the Japanese paper which is the material of poi, but I found a big issue of increasing magic power. This is a big harvest.

Now, let's finish our discussion of metastasis.

I came to Kagura with great effort. It is no wonder that we can always consider what we can do.

Because I came to see the scenery from this shrine.

I switched my thinking and walked toward the stairs with the shrine as my back.

You can overlook the landscape of Kagura, probably because of the high position of your current location.

In the distance, you can see the Japanese-style buildings that seem to be the city of Kagura, and you can easily see that there is lively from a distance. The river was running between the buildings and roads, and what seemed to be Japanese boats seemed small.

If you look again, you can see that water flows all over the city of Kagra.

Just facing the vast sea, the city of Kagra lives close to the water.

As you gradually lower your gaze from there, the houses become sparse and countryside, and the forest that passes to Rumba is spreading.

Then, as I looked further down, I was almost right underneath, and there was a staircase that seemed to make me feel confused just by looking at it.

Yeah, when I look down like this, I don't seem scared of the steep angles of the stairs.

When I was looking at it suddenly, the number of steps seemed to hurt my head, so I immediately cut my eyes and sat on the steps.

It's a bit cool on the cobblestone and it feels good.

When I was invited to Perumba, there was Haru and Shuichi here.

I thought they were weird, but they were the daughter and son of one of the greatest generals in the country.

I still miss the sight of laying down the commoners and trees with the Mito Golden Play.

Thinking back like this was yesterday, but it's actually more than four months ago.

I want to see Haru and Shuichi again, but they are shoguns.

It would be difficult to meet like before.

I was so glad to know the two people, I was sorry to realize that I could not do it because I knew it.

It's a bit complicated.

Look at the sky, distant mountains and Bonyari.

Then a pleasant breeze blows in and strokes my skin.

Unlike the previous time, you don't look at objects such as the city, just look at the whole scene.

This is good. If you look closely and follow something, your eyes will be tired.

If you don't think about what you are doing, you will fall back on your back.

Then, the clear blue sky spread all the way, and the vermilion torii gate overlapped directly above.

Make something like a camera frame with my fingers and put it in the frame.

The contrast between the beautiful blue sky and the vermilion torii is good.

If I had a camera, I wanted to shoot with a slight angle.

I saved one photo in my heart, and it turned into a large letter.

When I moved my eyes, I found a big rock beside the torii gate.

"Oh, the rock I was using."

Apparently it has been the same since I used it as a vehicle in psychic.

Because we used rocks of a good size. It would be out of the question if you struggle to get it down manually, and you have no choice but to drop it psychically.

I thought I'd drop it down with a psychic if it would get in the way, but when I approached and looked at it, it was wound like a rope.

When I wondered around, there was a stone staircase beside the rock, and flowers and dumplings were offered on it.

"What's that?"

Is this rock a substitute for the body? Well I do not know.

Because I do not understand well, it is likely to be troublesome if you move it poorly, and it is possible that it is enshrined that offerings are also done in this way.

If you worship here, it's probably Mizukami.

But then, a round rock doesn't look like a god. In any case, I'd like to dig into a dragon-like shape decorated at a shrine.

Since the image came up somehow, I fired earth magic in front of me.

When you make a small sphere, it deforms while looking at the dragon at the shrine.

However, since the specific part is not drawn, I try to imagine the rough dragon of the sea on its own.

Soon, a powerful dragon like a monster hunting game was created.

Since there was an existing water dragon design at the shrine, I could make it without much trouble.

The size is like riding on your palm, so you don't feel so scared.

But if this is dug in the size of a rock, it will be scary.

Imagine such a thing and I laugh. The mischievous spirit that I wanted to reproduce with a large rock came up, but it was bad to fiddle with what is enshrined as it is, so I negate it.

As an alternative, I decided to keep a clay figurine imitating a water dragon on the stone steps as an offering.

Then we joined hands lightly and prayed that it would be time to play with Spring and Shuichi again.