"... Melmie, sister, what are you doing?

Early in the morning, Teten calls out the window to Melmie, who is gymnastics toward the rising sun.

Summer-like enthusiasm is also still soft at this time of the early morning. Looks fine with sleeping tetens bathing.

Melmie responds to tetens while performing flexible gymnastics on her healthy tense feet.

"It's gymnastics in the sun. The sun is my friend. Sunlight can be accompanied by unseen warm support. Do you want to do Teten, too?

"... the sun, because of its enemies, the hot sun, the murder weapon"

Teten stares at the sun, but covers his eyes with both hands to see if he was more dazzled than expected.

"... all the time, sun, meh"

"I don't like the sun. It sounds intense."

I was listening to you two. Richay's cutting the corn bread. He's calling me.

"The water bridge is complete, isn't it?

"I finished it yesterday. But I'm going to wrap up the completion ceremony with the water service, and I'm just saying it's over."

The biggest one was the waterway bridge, but I'm going to have to go through the waterway to the second branch of the cloudless layer.

I plan to start construction today, but sometimes the second branch is starting to get higher and the waterway has to be higher. Naturally, waterways built across roads exhibit the appearance of small waterway bridges.

It's like a pedestrian bridge from what I've been saying in my last life.

"The second branch has a takakus school, right? Do you think the kids might come for a tour?

"I want you to come. I knew you'd get bored just watching, and you'd get bored soon."

I can't help all this. If you grow up and come to apprentice me, I can teach you a lot or take you to the scene.

"Maybe Snow City was a good subject in the sense that you could learn it on the ground."

"Looks like the artisans were able to learn some technical stuff because they were also coaching. If the snow city gets excited again this year, I'll make time to play with the kids too."

"When Amane joins us, it's going to be so advanced in technology that I'm sorry to play, so stop it"

Richay stopped me with a serious face. They're on guard because I have a priori who has created an economic basement in a city of snow staged in an orphanage.

I check how the bacon eggs are baked, serve them on a plate, and give a voice to Teten and Melmie.

"Wash your hands now that you have breakfast"

"Aisa"

"... Sa"

After breakfast, we arrive at the lower cloud level.

See how the reservoir is on the first branch, then cross the Yaba Bridge to the second branch.

It's busy.

"It's a densely populated branch of the Tacax."

A house made of wooden or demonic worm nail stands on the left and right across the road.

There was an occasional staircase between the house and the house that allowed us to go up the air corridor. Essentially for pedestrian use, it can also be a staircase to go upstairs or up to the third floor in the case of an apartment or other comprehensive dwelling.

I'm going up the ramp with Melmie. A coyote car slowly climbed up next to us. I see a wooden pot loaded with water.

Reach the top of the ramp and turn left. It is the first step in the air corridor from here, peering down from the fence at the end of the road, you can see the boulevard under your eyes. It's called 3D crossing.

3D crossings are only a substitute that you don't need if you don't have a larger municipality, and as the founder of Takakus, you get a little tense.

"You guys there, school now?

Speak up to the girls Melmie was walking down the street.

The girls nodded laughing like they were lit.

Melmie also smiles and waves.

"Go away"

"Follow Me"

Melmie sees the sky as she sees the kids rushing to school.

"There was a time when Mr. Melmie was such a young man."

"Melmie's still a double-digit old man, too."

The mental age may not change much.

After that, we arrived at the construction site, unlike children and students on our way to school.

"Now, start construction"

Preliminary meetings had also been completed within yesterday, so we moved to construction promptly.

Craftsmen move out.

Melmie went to the edge of the scene to build a small roof with the other women craftsmen.

I look at the scene again.

I can see the boulevard about seven meters below my eyes. This is a so-called aerial corridor, situated on a heavily trafficked boulevard, but if we don't build a waterway bridge in this position, the problem of high and low differences makes it difficult to get water across the second branch.

The boulevard is about seven meters wide. It is your job today to bridge the waterway so as to cross this boulevard.

The craftsman walks in with a thick plank of Devil's Beetle on his shoulder.

"Still, it's a bizarre bridge"

"It's the main street down there, so I can't build a bridge leg. Still, even when the water was running all the time, this became a sturdy shape that could withstand the weight."

Yes, it is important to note on this bridge that, unlike bridges that cross branches and branches, bridge legs cannot be made.

Aside from installing columns that will obstruct the passage on the lower boulevard, I would also like to give as little weight as possible to the aerial corridors on which both ends of the waterway bridge ride.

That's why I hired Bridge.

It was a bridge used before the Edo period in previous life and is still used in Bhutan, etc.

Japan has mountains all over its national territory, and cliffs and torrents exist everywhere. Building a bridge leg from under a cliff is a waste of building materials, and it's hard to carry. If there is a torrent, every bridge leg could be flushed downstream. Typhoons come even if they don't.

Then, it was thought that there was no need to hang the bridge leg.

The Monkey Bridge in Yamanashi Prefecture, which is counted as the Sanqi Bridge in Japan, is famous for its structure of passing a bridge over four layers of orange trees (Ha Onion). To avoid corrosion with rain, orange trees are fitted with each small roof, which is characteristic in appearance.

I watch Melmie and the women artisans. This time the bridge was going to be fitted with a roof just like the Monkey Bridge, and Melmie and the others had that roof ready. Work seems to be going well.

I turn back to the craftsmen I've been speaking to.

"I know it's an unfamiliar hanging method, but it's structurally the same orange tree I did in the Japanese-style architecture of the cloud-no-layer, so don't worry, work it"

"Copy that. The structure itself is simple."

With that said, the craftsman heads to the edge of the air corridor with a plate of Devil's Worm armor.

Another craftsman received a plate of Demon Bug nail material and plugged it into a hole under the aerial corridor.

The way the bridge is hung is by placing a slightly longer orange tree on a short plate, the orange tree, which protrudes diagonally, and then slicing it off both sides of the bank in a way that further places a slightly longer orange tree on top of it, shaping an arch composed of several plates.

Let's keep the memories of my previous life, made of rules and bonds as a child and scolded by my parents, sealed in the depths of my heart.

While the structure is simple, the durability is also an origami shape.

Japanese architecture tends to emphasize the roof, and the larger the roof, the more luxurious it looks. Just as church architecture in Europe sought height, the Japanese temple Buddha's Cabinet devised in search of luxurious and splendid roofs.

If the temple Buddha's Palace, which was in a way the state of the art of fashion, emphasizes the roof, others will imitate it as well.

However, given their habitability, large roofs also require good and bad and regular placement of sturdy pillars, thus limiting the intervals.

Orange trees that are also used for bridges were used in this way. Instead of keeping the full load of the roof in the column, he succeeded in allowing freedom in the column placement by distributing it with orange wood.

That's why orange trees are suitable to support the weight from above.

Craftsmen fix tempura and orange trees. This time it is a warthog armor that is water resistant, not wood, and seems to take some time to fix because it is a little stiff.

The craftsman calls out to me as he carries the Devil's Worm armor.

"How soon will this be rebuilt?

"I'll be looking at the condition, but I've been estimating it in about thirty years"

"That's a long time, considering the price of the ingredients."

"We have to build it all over the place, so we can't build it that often."

There are several waterway bridges across the street in the second branch water plan. Since all of this is planned to be made with a bridge, materials were selected with an emphasis on cost-effectiveness.

The craftsman sees the Devil's Bug Nail holding as convinced.

"Managers are tough."

"The hardest part is also developing import routes, Richay. I'll buy something sweet in the mall on the way home."

"You should do that. My parents, they were too sweet for Kami in that place."

I fell on the head of the craftsman who said something extra. That's amazing. The word "my parents" just flew in and set me up at Kami's. It was a move that had predictions about what to say anymore.

I'll be careful, too.

"Don't say anything extra to Mr. Amane. Get back to work. I have to finish it tomorrow."

While I grinned bitterly at my parents grabbing the collar of a teary-eyed artisan and taking him to the scene, I also went back to construction.