Fairy Tale Chronicles

"Hey, Hiro..."

"What?

"You know, I've checked the same thing over and over again, but this time we're here to pick up sand in the desert, right?

"Saya. It's time to make more potion bottles and stuff."

"So where am I?

"Hiding underground in the desert, the so-called super ancient ruins."

How did this happen? Tatsuya extends and repeats the word in her heart while checking the scenery around her again and again. The original plan was to collect as much sand as we could during the day trip and go back to Dar. By mistake, we weren't supposed to enter such an unidentified ruin.

"Hey, Macro."

"What?

"Why are we here?

"Sora, I used the drill to dive deep into the ground."

"No, I'm not, I'm here to collect sand and talk about why I needed to dive deep into the ground."

"I don't know, when I come to the desert, I want to dive underground all the time, just talk about a man's romance being activated."

Don't activate it. Makoto sighs his words at me for saying so. Unfortunately, it is too late now. In the first place, he's out at a time when he sees a ride packed with some kind of romance: a submarine with a drill and wants to try even Makoto with Tatsuya, who is supposed to be a penetration.

"Well, come on, let's explore the ruins hungry."

"Right. I came around the corner."

Spring vegetables I agree with Hiroshi's proposal for nothing. Regardless of the problem of falling in love, spring vegetables have never been a brake in cases like this from the beginning. Not to mention that I'm flying my favorite rays quite enthusiastically against the macro right now. Even when stepping on an accelerator, it is not possible to apply a brake.

"... Master, Sister Chun, there seems to be something interesting over there"

"Which one? Oh, it's true."

"All right, let's start over there."

Tatsuya sighs deeply and deeply when she sees a group of students entering the exploratory mode with ease. If you're just going home, it's a moment with a transfer stone or a long distance transfer, but now using it to forcefully return is too much air to read about anything. On second thought, there are no special problems or disadvantages in investigating this site separately. If there is, at best, about what I've said about a day trip to the temple of Iglesios. This is a story that only needs to be contacted by Primla.

"... shame. I don't know what it's like to let those guys go wild. Let's go too."

"Oh, you know, okay?

"My sister and I haven't been specially prepared for this..."

Tatsuya gets stuck in such a way that the Norton sisters water her, sighing again for luggage and other confirmations. Because the bag is connected directly to the warehouse, I have not originally had very special preparation in this kind of situation, but this is the first time that I have not even been able to think about boulders. You should check somewhat.

"I really don't know how this happened..."

It was Tatsuya who sighed to echo the smudge and blurry true harp, taking what seemed necessary out of her luggage, while reiterating how she had been so far about where she had gone wrong.

Things happened last night. After dinner.

"It's time for a little bit of cold, and I just want to get out. Yeah?

"Outside? Specifically?

"I want to go to the desert to collect the ingredients from the bottle."

Together, I will consider a lot in my head for the proposal of the Macro. Nevertheless, other than the fact that the three Hongdas are slightly short of rank for access to the desert, there are no other problems that come to mind when I say this. Unlike the tower of Yangtze, there are no separate watches in places with rank limits. The rank limit in this case is only to such an extent that they are not allowed to accept requests to enter or leave the desert, except in special cases, and it is their own responsibility to do so on their own.

"Right. Nothing. That's all right."

"If it was about the time I was collecting sand, I'd be able to afford to protect Primla and Judith with me and Tatsuya."

Desert monsters are quite strong, but they won't even be surrounded unless they get in too deep. If Mio plays the role of detector properly, he won't even eat surprises. With that condition, it's perfectly fine enough to protect sisters who are incapable of fighting.

"So, how far are we going?

"From day trips in one box to around 7: 00 departure, I guess, all the time."

That's what Horn instructed me to do, around the corner where the street plunged into the desert on the map. A little over two hundred kilometers from Dar. One box won't take three hours, on the contrary, if you fly for real, it's about two hours to change.

"... So far, can we go on a day trip?

Look at the map, primula gazing at the macro like a frigid smell. Golem carriages that are the finest and specialize in travel speeds are certainly possible, but the calculation is that it will be around two o'clock just to go and come back, even under those conditions. Considering also meals, breaks and picking times, it's pretty tough on day trips.

"We travel faster than regular golem carriages."

"Really?

"Oh. Dar to Urs, but in ten days, we'll have plenty of room."

From Urs to Dar, a little over 6,000 km using the southern main street. It runs at an average speed of 80 km/h for about eight hours and lasts about nine days. When this becomes a carriage, it's a big trip that normally doesn't arrive in a month, even if it leaves more than twenty kilometers an hour due to skill.

Most of all, even considering the limitation of land routes, there are few trips in modern Japan, such as ten days just for travel. The vastness of the two countries - Farlane and Dar - can be overwhelmed by just saying that just connecting the capital to the capital requires so much travel distance.

"So, the one box is desert spec?

"I've taken care of it a long time ago."

"So you want to go tomorrow morning?

"If you're at the stall, suddenly you're off, wouldn't that be a bit of a problem?

"Why don't you tell the guys from the nearby store before you go in the morning?

Tatsuya presents countermeasures to the problem proposal for spring vegetables. Bribes, songs, and other nearby shopkeepers who have gotten along will do well. Customers also know that their main job is to be an adventurer, so they also know that there may be such a sudden break.

"So get up early tomorrow morning and support me, and ask me to tell you in the square, straight to the desert?

"Let it go. Why don't you go to bed today?"

Copy that.

Cut the words off, each going into preparation for tomorrow. And the next day at noon.

"Really, you arrive in about two hours..."

"I didn't feel so fast..."

A line that arrived at its destination in an elapsed time of about two hours, earlier than planned, which stood at 80 km/h. The desert side originally had less traffic, and the biggest factor would have been that if we had overtaken people on foot to nearby farmlands, etc., or carriages to towers, etc., we would have run relentlessly a hundred kilometres over later and had no problems. Sometimes it's the usual thing to play Stone Ant or something.

It should be noted that Judith did not feel that the extra speed was due to the fact that, in addition to the fact that the outside wind did not come in because the car was completely covered, the outside view was basically scarce for change. In addition, it is also possible to give the reason for the characteristic that the automobile feels hard because of the speed at which it is being evacuated.

There's only desert on the boulder, and it's already getting quite temperate to say it's only before ten. If this is about the time we left, nature is still harsh because even if we don't get to freezing, it's pretty cold.

"So, you're taking sand, right?

"Well, don't panic."

A macro who takes out another capsule to avoid too hasty a conclusion while cleaning up the car. Tatsuya looks surprised when she sees the newly emerged capsule.

"What about him?

He said, "I'm coming to the corner desert. I tried to make something like this."

Deploying the capsule with such a comment, it was a submarine with a drill on its bow that came out of it. The full length is slightly larger than a large bus and smaller than a regular submarine, but the drill mounted on the bow is nevertheless of medium size. Tatsuya and Makoto feel strange chest highs in the drill for their rough and muscular excavations. Mio's gaze is already nailed.

"... I know it's just wild to ask, but what did you prepare this for?

"I've decided to dive into the desert sea."

"... this looks like the surface is made of leather, are you okay? I dived, I was buried alive, and I want you to give me a break for the boulder."

"The excess Cerberus skin and the rockworm skin are stiffened to the beech and tensioned on the surface, and the water pressure resistance and improved ground resistance are overlapped with guns, so it should be okay to reach a depth of about a kilometer."

To confirm the words of the macro, try to tap the surface gently. I conclude that if I did it, I would not be frightened by the slightest pressure on its strangely elastic feel.

"No matter how sturdy the outside is, I don't think I can if the skeleton is yawdy, but what about you?

"Like when I was in Farlane, I couldn't afford it. I have a magic iron and a missle. I made it from that, and it's got a demon iron plate under the leather, so don't make the skeletal strength worse."

"What a waste of resources..."

"Yeah, no. Anyway, there's no use for anything other than fixing or rebuilding weapons."

I don't know if I'm distracted by that ride full of romance, nor does the penetration of the true harp have much power, and I don't get to rebuff waste. Besides, they don't know at this time, but later on, this submarine (in this case, you might be right to call it a submarine) will be useful in a completely different way from its original use elsewhere. Not only can we say that the use of the material itself is scarce, but we cannot say that the accusation of waste is correct in that respect.

"Well, whatever, I made it because of you, and I'd like to try diving lightly into the basement, don't I?

"... at the very least, after a proper test."

"If you're under water pressure, you'll finish testing it, so at least you'll have to tear it apart in a shallow place."

"You really don't do a lot of things when you're alone..."

"High level artisanal players, probably like this"

They say things they don't want to compare because they don't know anyone else, and they look at the Japanese that they suspect unexpectedly. The Norton sisters seriously observe the submarine through conversation for now because they don't know what the word means.

"I want to dive lightly, especially if it's a problem. Don't you?

Macro insists on doing what he wants to do again. Tatsuya and Makoto push each other to conclude rather than indulge in the words. Spring vegetables are not interested or anything in the submarine itself, but therefore there is no way to disagree with what Hiroshi says he wants to do. This is all the more so if a certain degree of safety is ensured.

To Mio, I'm more willing to dive. I don't dare make a strong claim in front of the two elders, but if I can do it, I want to dive in the Gungu basement with this romantic ride. Unusual for her, who lacks a change of face, she awaits the conclusion of Tatsuya and Makoto with a glittering eye for hope.

"... well, okay..."

"... right. Honestly, I also find it hard to resist the word" underground "..."

"Here, gently let's go!

With such a hung voice, he drives us all to the submarine and quickly settles into the cockpit so as not to let anyone get in the way. And...

"Go! Go to limit depth!

"Wait a minute!

All of a sudden, he says noisy things and drops them all the way down the joystick. Apparently, this submarine, the manoeuvring system, is close to the kind of aircraft. Tatsuya can't even go to the interrupt instead of stopping Tatsuya, who has a seat belt on top of a bulkhead between the cockpit and the passenger seat, even to stop Hiroshi who said something noisy.

After about fifteen minutes of diving, the submarine, which stormed through something rocky, entered a supermassive cavity with ancient ruins, leading to the beginning. It should be noted here that some sandworms, sandmantas, rockworms, etc. were sacrificed for drilling because of submarines that were moving at speeds that I don't think were diving on the ground.

"This place is like a restaurant."

"Right."

Buildings found at the beginning, uncomfortably shaped compared to other buildings. Macro and spring vegetables to look in and analyze so. Unlike the exterior, the contents are usually lined up with tables and chairs, and the end of the table is set up with a menu-like booklet, structured like a regular restaurant.

If there is a problem, have you ever seen a restaurant with this type of menu on the table, whether it's Farlane or Dar?

"... this letter, unfortunately, cannot be read..."

"The structure of the kitchen isn't that special."

"All the condiments you keep are magic props. If I were to say it in more detail, it would be a battery type guy."

Inform each one of the findings. All we can say throughout is that the technology and civilization levels on which it is based are at an isolated level from most countries on the ground.

"Whatever it is, it's doomed or abandoned, or something epic dodgy isn't good enough to make it clear."

"What's dodgy?

Makoto turns a strange face to the speech of a non-listening macro, who was looking into a slightly remote place.

"Dodgy, hectic, less damaging booby trap, hectic..."

"What's going on?

"No, I don't. I've got equipment, tools and everything that makes me feel weird about mental interference."

That said, it's the string hanging from the ceiling that the horse pointed to. In the guise of nothing, it's just like an old fluorescent light switch hanging over me. If this is the category of restaurant, it's not unnatural, but if you look at it strangely and naturally, you want to pull it.

"... somehow I understand what you're trying to say."

"Do it?"

"So, what do you think of it as a macro?

"It depends on the result of that string pull, but after the pull, the development is in O.J. O.Z. or D.O.F., and the judgment changes."

Even if it's very easy to understand, Makoto is unintentionally deeply convinced.

"So, ya. If this is just a booby trap, if it's a do-or-nothing direction, there's gotta be people somewhere somewhere who can look at it."

"You know, building a ruin of this magnitude for it, that's quite a bunch of free people."

I have to agree with Zhenqin's comment, Hiroshi. Horns also tend to run to hobbies, but unless it's a movie or TV show recording on a boulder, they don't imitate this scale of ruins to create for one-shot stories.

"In the meantime, you have to pull that string to make a decision, right?

"Seya, hey"

"What?

"Somehow, I'm a bit of an entertainer to honestly follow the way I look that far"

"Who is the artist..."

I don't know what you're trying to say, but I have trouble showing my artistic guts there.

"In the meantime, do some more research elsewhere before you think"

"Right. You don't have to touch anything that you know has a good chance of finding out where you're still going."

"I'll take a look around a little bit."

Speak to the other members that way, after the restaurant-like building you were looking into first. Spring vegetables and Tatsuya because they don't know what's going on when they act alone, and then Judith and the three of them follow.

"So, where are we looking?

"In the meantime, let's find out where the literature might be."

"But it didn't feel like I could read the letters, so finding them might not do anything about it on this occasion, huh?

"Maybe there's a literature written in a language close to Dar or Farlane, and even if it was Akan, I could just copy the letters and go home and hit the temple or some library and see it."

"Then you should set up a transfer point around the entrance to the ruins."

"Let it go. It seems to be particularly difficult here because of obstruction of metastases and so on, and it's easier to come and go as many times as you register."

One line that takes Tatsuya's suggestion and comes back around the entrance once. After setting up a transfer point, a peek around a large building where there is likely to be a public authority.

"The more you explore, the more unnatural the ruins are."

"Here's the thing, that. If you get caught up in a story and laugh, you're out of somewhere! When a declaration like that comes along and you take a bullet in the ass, it feels like he does."

"Hong-kun, Mr. Judith can't keep up, so why don't we refrain from stories over there?

Copy that.

Hiroshi shuts his mouth to say extra stuff and is served with spring vegetables. Nevertheless, the possibility that it is a normal site in a fantastic sense at this point, has almost completely disappeared.

"Nevertheless, I thought it was normal for ruins like this to come out with crates and jewelry..."

"Regardless of the jewellery, it would be weirder to have a chest in the case of unmatched ruins like graves and temples."

"Well, think about it, right? In the first place, what's a crate? I'm talking about it."

"I'm talking about romance, but that's what you call a ruin when it's real."

In contrast to the fact that you can't find anything treasurous about this, a line begins such a romantic conversation. As a matter of fact, unless it's a relic of some type that's a treasure house for side funerals, it would be more normal not to have something called a crate or something. It's funny if you think realistically, like the game, that if you do it in a normal room with no weird philosophy, there's a chest with powerful items in it, etc.

"Well, the ruins and the dungeons are different."

"Is that what it is?

"That kind of thing."

Seek out a library-like building while wasting time on such a vivid topic, taking care not to let the less resistant Judith get caught up in strange things.

"Still, it's a really funny ruin, isn't it?"

"Isn't it weird now?

"Well, now you're saying it's not that kind of weird..."

With that said, spring vegetables gently peel the bookshelf with your index finger. With that behavior, Hiroshi and Tatsuya understand what they want to say.

"No, you didn't give a shit around there."

"Certainly, there are very few authentic ancient ruins, but oddly little dust or dirt."

"Right?

Hiroshi and Tatsuya are impressed with the allegations of spring vegetables. The boulders are the basic girls. Girls with high power. The observation of that hand is completely different from that of the men.

"Uh, uh, what do you mean?

Judith doesn't seem to have a pin right away about what's wrong with being well cleaned. Ancient monuments without people, which I don't really understand.

"No, I don't. Normally, a thousand years is an old site, but it's strange that it's well cleaned."

"I'm a bit of a detractor from this. When I think about it, it feels like it's been more than a thousand years since the wounds were properly stored."

"Uh, I mean?

"There are two expected answers. The possibility that this monument will still live, and the possibility that there will be free people waiting in the millennial period, dodged with temperament."

"If you think about the unnatural strings over there or the strange tricks, do you feel that the leisure theory is powerful?

"Seya."

It's hard to take to other conclusions. Finish the discussion and go carefully over the bookshelf to avoid activating a bad trick for now. Ancient and present, bookshelves are a treasure trove of tricks in both game and do-of directions. For example:

"I just got it right in, but I want to get it in. This book"

"... stay!

If you push a book that doesn't go out and in, another book pops up and hits you directly in the face,

"What is it? This book is so unnatural in size and classification..."

"What's wrong with you?

"Even if they say so, if I let them out, they won't come in anymore."

"From the feel of it, if I did this, would I go in?

"Oh, it's true. What..."

"Promise me or classic..."

When you change the arrangement, the bookshelves move and the hidden stairs come out, and that's a lot of weird tricks already.

"In the meantime, the hidden staircase was left unattended, and I found a book that felt like I could read it."

"Really?"

"All the time, there was a book that seemed somewhat close to English, only all the time, I didn't know my language skills and contents."

"Oh well. Can I have a look?

"Please."

Spring vegetables that open the book given to the macro and wrinkle slightly between the brows. Because what I could read was a pretty unexpected substitute.

"Eh. I couldn't read the letter on the cover, but I could read the title on the middle cover. The title is Mrs. Elmet. I think maybe it's a novel or something. I saw the first page, and grammar and words were like a mixture of French, English and German."

"Something has a very bad feeling about the title."

"That's an odd encounter. I have a bad feeling about it, too."

"Honestly, I don't think I should read it, but it's troubling that it's not always what I expected..."

The three of us talk to each other about the response, pulling all we can to the title of the book that came out. Judith doesn't understand what Honda is pulling because the culture of novels isn't so pervasive in Dar. Leaving Judith like that alone for a little consultation, Spring Vegetables, determined to do so, turns the page.

"... Wow, wow..."

"Maybe, as expected?

"Yeah. Uh." Boy, there you are, "Mrs. Elmet invites provocatively, as she relaxes her own busty chest, an unusual boy as to whether her familiarity has also begun yet. Still immature in terms of sex, and thus unable to hold back curiosity, the ubiquitous boy is drunk by his wife's spectacular colorful incense and mumbles on its ripe limbs as he was fascinated by her forgetting me..."

"I knew it was a porn novel!!

Tatsuya accidentally puts all her might into the contents of the book, rather than into the spring vegetables that she recites in a pale tone. It is terrible in many ways that the title on the cover is an ancient letter that no one can read, and that the book itself is too broken to handle normally.

"Something is so vivid about it..."

Spring vegetables that make your face bright red like apples, but still read all the open pages that feel like they stick together. Unfortunately, she's too old to hold back her curiosity about sexual activity. Especially since I fell in love at an unusual level but therefore unnecessarily. Next to it, there is an ear-robbing cleric apprentice staring at spring vegetables as if they were apples, turning her face bright red as well.

"A book I found in the ruins is an ancient porn novel, or a tremendous trap. Yan."

"Not at all..."

Tatsuya looks very tired with Hiroshi commenting in a relaxed tone with spring vegetables that look like they are grinding over whether the page should be turned or not. No matter how ancient civilizations are, it's no stranger that there are more books in that hand than there are books, but it's a dubious story about purposefully keeping them as collectibles in library-style buildings at pinpoint or whatever the hell you're doing if this isn't some sort of dodgy kind of thing.

"Spring vegetables for now. You'd better sneak around later in the night and read those books in your room."

"Oh, yeah. Oh, yeah."

Shut the book to shame yourself for being held up by Tatsuya and curiosity was about to prevail over shame, and appropriately penetrate into the empty space. Judith has no way of complaining about how he feels that he has done something terribly wrong with the boulder.

If this is Mio, I wonder what it feels like to read grandiose, but it's impossible to reopen that hand for spring vegetables on boulders. It's not that shameless, and even though you forgot me earlier, there's too much of a problem with the content to read in front of a guy you like.

"Nevertheless, I didn't expect you to eat that much in that book of hands."

"Ahhh, that's, uh, that..."

I can only whine about something so bright and unspoken with a bright red face that even hot air seems to come out, just because I have a sense that what I did earlier was an unlikely behavior as a flattering young maiden. A certain instinct as a maiden in love has also been one of the causes of my earlier run to action, but I can't immediately put it into words because I feel vague in person, too.

"Ah, but, uh. That's what you call a man's delusions and aspirations, isn't it?

In the meantime, I will tell Tatsuya the idea that has finally become a clear word. Tatsuya, who listens to the content and knows that it will be heard by Hiroshi, nevertheless decides to whisper and tell a secret story.

"Well, not all of them, but most of them are."

"Then if you work hard with reference to oh, would you be happy, or something like that?"

"If it's normal, whatever it is, it's for you."

"After all, is it reckless?

"I mean, there's a hurdle to cross before I go there."

In the end, romantic feelings are quite far-reaching around the fact that unsound behavior mostly goes there. Tatsuya can only sigh when she looks at spring vegetables that tend to be gazed at by Hiroshi when she says this is a situation where she hasn't done anything. I can't feel sorry for Spring Vegetables when I see a Hong with a strange look or a somewhat troubled look every time I see him.

Not Mio, but I want you to at least recover to the point where you can accept the existence of romantic feelings for both sides, but that's what I'm saying to Mio over and over again, as I've said, it's more harmful to hurry and stir here. I know it's pathetic, but make it spring vegetables, make it aeris, make it alchem, we'll just have to have patience for a while now. You can't be too busy with the beast of your hand.

"Hey, Spring Vegetables"

"I know, but your mind and body don't do what you want..."

"Oh well. Well, come on."

"Mmm."

That's what I said, spring vegetables returning to my library exploration to change my mind. In the end, I could not discover anything that seemed immediately readable other than a paper with an ancient Farlane or Dar poetry novel and a strange economic theory, and for now it was Hiroshi who decided to rendezvous with the true harps in order to examine the hidden staircase.

Meanwhile, the true harps at the same time say...

"You've got to be kidding me everywhere..."

"Sister Makoto, calm down a bit"

"I know..."

Primla had inadvertently activated the booby trap that had been properly avoided until now.

"Nevertheless, a pretty stunning Tarai trap"

"It's not the primula that pulled the string, it's the direct hit on me that doesn't make sense..."

"Also, sorry!!

"No well, sooner or later someone will do it, I thought..."

Yes. I was beginning to resist and struggle with the temptation to gradually pull strings, knock down levers, so I figured one of the three would do it sooner or later. I thought it wasn't the primula that did it, but for some reason it was the true harp's grump that caused Kim Dalai to fall from the head of Makoto, who was in a remote position.

Besides, there's not only one thing that's fallen. One big turn ahead of the flying in surprise of the pain was the oversized one falling ahead of me as I stepped out in response to the extra shock. Three Tarais that hit True Harp in the head with precision as if someone was watching and dropping them aiming from the top. It hurt pretty bad. I have a size where Mio and Lime can go to water together if I want to, especially the last one.

I was only paying attention to buildings like the bureau, but I was clouded by a phrase that caught me in a way that had nothing to do with my efforts. Such a mess turned the nerve of the true harp upside down.

"... suspicious character discovery"

"You can't read it anyway, can you?

"I can read it this time"

Surprised by Mio's dialogue, he unexpectedly rushes over to True Harp and Primla.

"So, what does it say?

"Look up, 'cause"

"... I have a really bad feeling about this."

"I mean, the way I saw it earlier, there was nothing unusual about saying this on top of this, was there?

"Yeah. There wasn't."

Looking up over my head saying something like that.

"Now look down, or..."

"There was nothing at my feet. Definitely."

I have a really bad feeling about that.

"Me too. Even so, it's kind of in that direction."

I have a very bad feeling about it like that, but still look honestly at my feet, and there's the letter "zaa look" there.

"... you're so angry..."

"The ancient ruins of Boulder Dorf. I won't take it off in many ways."

"Mio, aren't you angry?

"Like Sister Makoto, isn't that the level you learn to kill?

To the calm Mio in vain, that's the true harp that gets annoying. Nevertheless, there's no reason to hit a boulder eight times younger. As an elder, I can hang on to a lot of things.

"... I can see you getting angry, but shall we look elsewhere..."

Copy that.

"Now I'll be careful..."

As per the decree of Zhenqin, we will search the building. Naturally, nothing busy comes out. For example…….

"What happened over there?

"So much so that there was an illegible letter in the box."

"Which one...... This, Japanese?

The Japanese note came out, so I read it.

"Eh, asshole sees, b..."

"Sister Makoto, a lot more dangerous than that!

or planting stories that are likely to catch on to the copyright,

"What a disgusting doll..."

"Sister Makoto, don't you know?

"You don't know?

"Once upon a time, he was fashionable, he was a dead doll."

"There's a painting of a cat in strange clothes over here..."

"Like a cat..."

There are likely to be suspicions of age (especially Mio who knows all about it), massive amounts of old fashioned mascots and stuff like that. How depressing is the lack of unity that a story with a tendency close to those who shouldn't laugh is being planted if you think it is Doo-fu.

"You don't have anything busy, as expected..."

"So does Octogal, but where does this hand stuff come from?

"I don't think you can say anything about people, but I do doubt that, too. Unlike that mysterious creature this time, it doesn't seem like a very recent story."

"Sometimes it comes off some time ago, but look at it. The average, from around the end of Showa to about the middle of Heisei?

"Seriously, I can see that. I think you're probably too..."

True harp makes a comment as if he was stunned by Mio, who identified his age lightly, while arranging the erasers of a muscle man who likes a bowl of beef.

"Still, the more you move around, the more annoying it's going to get to the thoughts of the people who built this ruin."

"There's no great harm in just coming irritated, so let's find out properly"

"Is it the only way..."

Sigh again tired of Mio's words and rise from the chair where he was sitting. Then Primla just laid her hands on the table to take a seat......

"Huh!?

The top plate of the table jumps as much as you want and hits Primla hard in the face. Although it is a sight that is often seen in the Conto and elsewhere, when it actually happens unintentionally in front of you, it also seems very painful.

"So, it's okay!?

"Ra, Ra Jiuuuuuuuuuuuuuu..."

Primla tries to claim survival with a toad and obscure pronunciation while holding her bright red nose. I was as alarmed as I could because of the changing trend in the story. This time it was primula, but maybe the true harp was feeding again. That was a remarkable time.

"I was. After all, we are the characters of Conto now."

"There is a theory that plain and unusual"

"It's not my fault around here..."

Makoto drops his shoulder after a kind of pointer he doesn't really want Mio to say in an attempt to re-tighten his mind. To be honest, Mio can never speak of people just because it's not as good as the main culprit Hiroshi and Spring Vegetables in terms of the causes of his usual contorted behavior.

"Well, anyway, let's just do a little more research. However, we need to be vigilant against the cont deployment only."

Copy that.

"Okay."

As per the decree of Zhenqin, we will re-tighten our minds and resume our exploration together. If you get this far, they generally understand what it means to have a primula on the boulder as well as a cont. Even carefully and carefully proceed with the investigation to avoid getting as much hands on anything unnatural as possible.

I'm punishing you for that spoon. I finished a rough investigation of the ground floor part in a way that blew, and at last, I'm going upstairs. Makoto and Mio stop to pitch.

"Hey, Mio..."

"Did Makoto think the same thing?

"This development is normal, isn't it?

"It usually does."

Primla pointing a look at the two people who continue to have subtle conversations in synonyms, not sure. Even if we understand the meaning of Conto, then we don't know what a common development is.

"Stairs, do a little thorough research"

Copy that.

"Um, something on the stairs?

"Assuming this later development is as expected, there will definitely be a trick,"

With that said, I await Mio's findings. but......

"Sorry. I couldn't find anything suspicious"

"... any strange joints or weird tricks?

"At least, it wasn't my level of understanding"

"Oh well. It's a mess..."

Eighty-nine of the ten have a trick. I know that, but I can't take action. You can ignore it any more than you probably haven't planted a busy story going upstairs. That's what I thought. I was just trying to tell you two.

"Sister Makoto. I just checked, the building entrance door was locked with a special key. Cannot be lifted"

"I mean, make all the events happen..."

"I'll go and tie the rope. It's not fair that I'm not the only one who's caught anything."

"Are you sure?

"It's not a fatal trap anyway"

Look out for Mio's, unusual, manly remarks. Surely none of the traps encountered this time are fatal. But since it's not the kind of thing a flattering young maiden wants to eat, it's better to have fewer victims. Even though I say so, the youngest girl on this team says she's going to get caught up in such a dirt-based trap from herself.

"Besides, Sister Zhenqin. When I say this, it doesn't taste good on the screen at all, does it?

"What's a screen?

Suddenly Mio remembers something metaphorical, Zhenqin unexpectedly weakens with all his strength. Are you still saying Mio is Mio?

"You must be watching, probably, maybe"

"So if you hadn't seen it, wouldn't you have lost your hook? No, on a woman. Oh, but not if it's delicious to get caught up in it."

Mio deceives himself with his nose in the direction of the day after tomorrow for the penetration of the true harp. In the end, I won't ask, so there's nothing else I can do, so I'll leave it to her.

"Well, I'll be there"

That said, he gently and lightly ran up the stairs,

"Ah!"

"I knew you'd come."

While Pathan and I were taken by the stairs that collapsed and became slopes as expected.

"Hey."

Create an attitude of climbing by squeezing a rope on the railing exactly.

"I didn't hit him in the face, so maybe it wasn't delicious subtly"

"That kind of dirty idea is fine..."

The true harp can only penetrate into the Mio trying to normally embody the idea of a dirty artist. The three of them, who went up to the second floor properly, were caught in a similar storm of dirt-based contraption and made into perfectly stretched performers.

"... that sounds tough on you too"

"... it's not usually in this direction to stretch your body in the search for ruins..."

"... Ahhh, what a fatigue"

"Spring vegetables are strangely suspicious over there, too, is something wrong?

"... hey. What do you think the literature we found in the ancient ruins was a porn novel?

"... I'm convinced..."

What ruins are there far beyond expectations? I was going to fully understand that just because it's a fantasy world, it's not necessarily all about storie-like events, etc., but reality seems to run diagonally up everywhere.

"So, you found a hidden staircase?

"Oh, it's also in a position where it's structurally absolutely weird to have stairs here."

"What's going on?

"That's it. There was usually a coffee space in the same spot downstairs."

"Ah, you promised in a way. Mostly in American movies and stuff."

The promise of an American film, a building of a structure that is physically impossible. Tatsuya has a complicated face when it comes to seeing it in real life. I can only agree with that feeling, but even though it's the same scene, when the up ends, it's the same as the character's face, clothes, and so on. In this case, it's some kind of manners that promises not to go into details.

"With that said, when you went upstairs, you were okay with the stairs and stuff?

"Stairs?...... oh. Is that common in Conto?"

"Well, of course you did."

"You didn't have to say that. There were a lot of things on the bookshelf."

"I knew you were kidding thoroughly, this ruin"

Two elderly people who exchange information and unwittingly sigh. I've come this far, so I want to find out where I can find out and go home. But what keeps this development going is I want you to give me a break with that. It is such a thoughtful and heavy sigh.

After this, Tatsuya and Makoto's concerns, for better or worse, came off, and the pattern of the ruins changed gallantly after descending the hidden staircase, but to the point of switching to yet another pattern that was expected at the very beginning, it was a line that at this point had become so accustomed to the contortive pattern of DOOF that no one could have expected.